She was dressed with extreme simplicity: dark blue coat and skirt, coat
rather long, skirt pleated; blouse of pale silk, high at neck; gray
doeskin gloves on slender hands. Patent-leather shoes and black silk
stockings seemed moulded to the attractive feet and ankles. Peter judged
her of medium height; put her age at twenty-three. . . .
The certainty that he knew her face grew to conviction. . . . He
continued to study her over the top of his paper. She had nothing to
read; seemed quite content to watch the outskirts of London—factories,
fields, canal-banks, a church among greenery, an empty golf-course—as
they slid past the carriage windows. Peter noticed, in the rack above
her head, a suit-case of dark purple leather: but neither label nor
monogram on the suit-case gave any clue to the girl’s identity.
Passing West Drayton, she turned round suddenly; and their eyes met
again.
“Would you care to look at one of my papers?” asked Peter, tentatively
proffering _The Tatler_.
“Thank you so much,” said the girl. Her voice, low and perfectly
accented, betrayed no hint of shyness. “It was nice of you to throw away
your cigar. But I don’t mind a bit if you want to light another.”
“Oh, I don’t want to smoke. Really, I don’t. I say”—Peter, no ladies’
man, felt thoroughly uncomfortable; bit off the question. “Yes”—began
the girl.
He plunged in. “It’s frightfully stupid of me, of course—I mean, the
question sounds perfectly idiotic—but I’m certain I’ve seen you
before—somewhere or other.”
The girl laughed. “And I’ve been thinking the same about you ever since
you opened that carriage door. You”—she hesitated—“you’re terribly
like somebody I used to know very well. Only we can’t have met before,
because I only landed in England for the first time yesterday
evening. . . . Unless. . . .”
She stared at him, positively stared; dumb with excitement.
“Unless what? . . .” asked Peter. He too felt himself on the verge of
some amazing disclosure.
“Unless you’re Mr. Gordon’s cousin Peter. . . .” His look alone told the
girl all she wanted to know; and she rushed on, tripping over her
words. . . . “You are. I felt certain of it. You’re Patricia’s husband,
and you live at a house called Sunflowers, and you’ve got two children,
and you’re in the tobacco business, at least you were in the tobacco
business, and you’ve been wounded and, and, and—_is_ Mr. Gordon quite
well?”
“He was yesterday. I didn’t see him before I came up this morning.
And”—Peter’s mind leaped to the only possible conclusion—“your
photograph’s still on his writing-table.”
“Oh!” She did not blush; but a faint rose tinged the pallor of her
cheeks. “Is it?”
For a moment, neither spoke. Then Beatrice said: “But weren’t you
expecting me?”
“Expecting you! Why, I don’t even know your name. But that’s just like
Francis—I mean like he is now—never tells anybody anything.”
The train rattled through Slough Station.
Public-domain text, read in full here on John Shaqi.
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