Arms linked, they passed into the curtained bed-room. Mauve-shaded
candles burned on the white over-mantel, on the table by the
lace-canopied cot. Blinking at the light, still only half awake, lay
Peter the Fourth. The newly-weaned baby smiled happily at its parents.
Peter the Fourth, they thought, would have his mother’s hair, his
father’s eyes: Peter the Fourth, they thought . . . but what these two
thought about their eight-months old son would fill a prologue, an
epilogue, and a hundred chapters in between.
As Evelyn confided, early in the summer, to Primula: “I don’t believe a
word of that gooseberry-bush story, Prim. I believe Mummy and the pater
made that child themselves. They couldn’t be so gone on it”—(“gone on,”
acquired from Garton, was _the_ school-room word of the moment)—“if
they’d just _found_ it.”
Said Primula, sternly practical, “It must be frightfully difficult to
make a baby. Think of its ears. . . .”
The two girls came running, fully dressed, into Patricia’s room just as
Peter slipped off for his bath; stood chattering till Patricia shooed
them away and rang for Elizabeth. . . .
§ 2
The Peter Jameson who breakfasted with his wife at a quarter to eight on
Armistice Morning was a very different animal from the our Mr. Jameson
whose taxi had driven up to 22 a. Lowndes Square, London, four and a
half years previously. Grayed hair and lined face still betrayed
convalescence, the weariness of war-time; but his eyes, his voice, the
whole atmosphere of happiness he exuded, testified a change in the man’s
mentality.
His essential creed had not altered: he still believed in work, and in
successful work; he still loathed inefficiency, slackness, the
never-mind-tomorrow attitude. But love, impersonated in Patricia, had
softened the harshness of his youth; taught him the grand lesson of
tolerance. Love had nearly bridged that vast, bitter gulf between
fighting-man and stay-at-home: almost, he saw England whole—-not a
country divided against itself, but a People working hand-in-hand for
the common cause. Love, too, had opened Peter Jameson’s eyes so that
they saw not only profits but also beauty in the new work to which he
had dedicated himself.
Public-domain text, read in full here on John Shaqi.
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