Great Britain -- History -- Charles II, 1660-1685 -- Fiction
a proceeding was totally inconsistent with the conduct of Major
Bridgenorth in every other respect, besides his being too calm and
cold-blooded to permit of his putting a mortal affront upon the son of
his old neighbour, to whose mother he confessed so much of obligation.
While Peveril in vain endeavoured to extract something like a
probable theory out of the hints thrown out by the father and by
the daughter--not without the additional and lover-like labour of
endeavouring to reconcile his passion to his honour and conscience--he
felt something gently pull him by the cloak. He unclasped his arms,
which, in meditation, had been folded on his bosom; and withdrawing his
eyes from the vacant prospect of sea-coast and sea which they perused,
without much consciousness upon what they rested, he beheld beside
him the little dumb maiden, the elfin Fenella. She was seated on a low
cushion or stool, with which she had nestled close to Peveril’s side,
and had remained there for a short space of time, expecting, no doubt,
he would become conscious of her presence; until, tired of remaining
unnoticed, she at length solicited his attention in the manner which we
have described. Startled out of his reverie by this intimation of her
presence, he looked down, and could not, without interest, behold this
singular and helpless being.
Her hair was unloosened, and streamed over her shoulders in such length,
that much of it lay upon the ground, and in such quantity, that it
formed a dark veil, or shadow, not only around her face, but over her
whole slender and minute form. From the profusion of her tresses looked
forth her small and dark, but well-formed features, together with the
large and brilliant black eyes; and her whole countenance was composed
into the imploring look of one who is doubtful of the reception she is
about to meet with from a valued friend, while she confesses a fault,
pleads an apology, or solicits a reconciliation. In short, the whole
face was so much alive with expression, that Julian, though her aspect
was so familiar to him, could hardly persuade himself but that her
countenance was entirely new. The wild, fantastic, elvish vivacity
of the features, seemed totally vanished, and had given place to a
sorrowful, tender, and pathetic cast of countenance, aided by the
expression of the large dark eyes, which, as they were turned up towards
Julian, glistened with moisture, that, nevertheless, did not overflow
the eyelids.
Public-domain text, read in full here on John Shaqi.
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