Great Britain -- History -- Charles II, 1660-1685 -- Fiction
The moon was now rising, but the portal was hidden from its beams, being
situated, as we have mentioned elsewhere, in a deep recess betwixt two
large flanking towers. Peveril dismounted, turned his horse loose, and
advanced to the gate, which, contrary to his expectation, he found open.
He entered the large courtyard; and could then perceive that lights yet
twinkled in the lower part of the building, although he had not before
observed them, owing to the height of the outward walls. The main door,
or great hall-gate, as it was called, was, since the partially decayed
state of the family, seldom opened, save on occasions of particular
ceremony. A smaller postern door served the purpose of ordinary
entrance; and to that Julian now repaired. This also was open--a
circumstance which would of itself have alarmed him, had he not already
had so many causes for apprehension. His heart sunk within him as he
turned to the left, through a small outward hall, towards the great
parlour, which the family usually occupied as a sitting apartment; and
his alarm became still greater, when, on a nearer approach, he heard
proceeding from thence the murmur of several voices. He threw the door
of the apartment wide; and the sight which was thus displayed, warranted
all the evil bodings which he had entertained.
In front of him stood the old Knight, whose arms were strongly secured,
over the elbows, by a leathern belt drawn tight round them, and made
fast behind; two ruffianly-looking men, apparently his guards, had hold
of his doublet. The scabbard-less sword which lay on the floor, and the
empty sheath which hung by Sir Geoffrey’s side, showed the stout old
Cavalier had not been reduced to this state of bondage without an
attempt at resistance. Two or three persons, having their backs turned
towards Julian, sat round a table, and appeared engaged in writing--the
voices which he had heard were theirs, as they murmured to each other.
Lady Peveril--the emblem of death, so pallid was her countenance--stood
at the distance of a yard or two from her husband, upon whom her eyes
were fixed with an intenseness of gaze, like that of one who looks
her last on the object which she loves the best. She was the first to
perceive Julian; and she exclaimed, “Merciful Heaven!--my son!--the
misery of our house is complete!”
“My son!” echoed Sir Geoffrey, starting from the sullen state of
dejection, and swearing a deep oath--“thou art come in the right time,
Julian. Strike me one good blow--cleave me that traitorous thief from
the crown to the brisket! and that done, I care not what comes next.”
The sight of his father’s situation made the son forget the inequality
of the contest which he was about to provoke.
“Villains,” he said, “unhand him!” and rushing on the guards with his
drawn sword, compelled them to let go Sir Geoffrey, and stand on their
own defence.
Public-domain text, read in full here on John Shaqi.
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