Great Britain -- History -- Charles II, 1660-1685 -- Fiction
Lady Peveril, observing that his teeth chattered in his head, and that
his whole person exhibited great signs of terror, began to recollect
the report, that the first Squire of Moultrassie, the brewer of
Chesterfield, who had brought the estate, and then died of melancholy
for lack of something to do (and, as was said, not without suspicions of
suicide), was supposed to walk in this sequestered avenue, accompanied
by a large headless mastiff, which, when he was alive, was a particular
favourite of the ex-brewer. To have expected any protection from her
escort, in the condition to which superstitious fear had reduced him,
would have been truly a hopeless trust; and Lady Peveril, who was not
apprehensive of any danger, thought there would be great cruelty in
dragging the cowardly boy into a scene which he regarded with so much
apprehension. She gave him, therefore, a silver piece, and permitted him
to return. The latter boon seemed even more acceptable than the first;
for ere she could return the purse into her pocket, she heard the wooden
clogs of her bold convoy in full retreat, by the way from whence they
came.
Smiling within herself at the fear she esteemed so ludicrous, Lady
Peveril ascended the stile, and was soon hidden from the broad light of
the moonbeams, by the numerous and entangled boughs of the huge elms,
which, meeting from either side, totally overarched the old avenue. The
scene was calculated to excite solemn thoughts; and the distant
glimmer of a light from one of the numerous casements in the front of
Moultrassie Hall, which lay at some distance, was calculated to make
them even melancholy. She thought of the fate of that family--of the
deceased Mrs. Bridgenorth, with whom she had often walked in this very
avenue, and who, though a woman of no high parts or accomplishments, had
always testified the deepest respect, and the most earnest gratitude,
for such notice as she had shown to her. She thought of her blighted
hopes--her premature death--the despair of her self-banished
husband--the uncertain fate of their orphan child, for whom she felt,
even at this distance of time, some touch of a mother’s affection.
Public-domain text, read in full here on John Shaqi.
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