Phantastes: A Faerie Romance for Men and WomenMacDonald, George
Science
Phantastes: A Faerie Romance for Men and Women
MacDonald, George
Fantasy fiction
Windows open to the glorious!
Time and space, oh, far beyond!
Woman, ah! thou art victorious,
And I perish, overfond.
Springs aloft the yet Unspoken
In the forehead’s endless grace,
Full of silences unbroken;
Infinite, unfeatured face.
Domes above, the mount of wonder;
Height and hollow wrapt in night;
Hiding in its caverns under
Woman-nations in their might.
Passing forms, the highest Human
Faints away to the Divine
Features none, of man or woman,
Can unveil the holiest shine.
Sideways, grooved porches only
Visible to passing eye,
Stand the silent, doorless, lonely
Entrance-gates of melody.
But all sounds fly in as boldly,
Groan and song, and kiss and cry
At their galleries, lifted coldly,
Darkly, ‘twixt the earth and sky.
Beauty, thou art spent, thou knowest
So, in faint, half-glad despair,
From the summit thou o’erflowest
In a fall of torrent hair;
Hiding what thou hast created
In a half-transparent shroud:
Thus, with glory soft-abated,
Shines the moon through vapoury cloud.
CHAPTER XVI
“Ev’n the Styx, which ninefold her infoldeth
Hems not Ceres’ daughter in its flow;
But she grasps the apple—ever holdeth
Her, sad Orcus, down below.”
SCHILLER, _Das Ideal und das Leben_.
Ever as I sang, the veil was uplifted; ever as I sang, the signs of
life grew; till, when the eyes dawned upon me, it was with that sunrise
of splendour which my feeble song attempted to re-imbody.
The wonder is, that I was not altogether overcome, but was able to
complete my song as the unseen veil continued to rise. This ability
came solely from the state of mental elevation in which I found myself.
Only because uplifted in song, was I able to endure the blaze of the
dawn. But I cannot tell whether she looked more of statue or more of
woman; she seemed removed into that region of phantasy where all is
intensely vivid, but nothing clearly defined. At last, as I sang of her
descending hair, the glow of soul faded away, like a dying sunset. A
lamp within had been extinguished, and the house of life shone blank in
a winter morn. She was a statue once more—but visible, and that was
much gained. Yet the revulsion from hope and fruition was such, that,
unable to restrain myself, I sprang to her, and, in defiance of the law
of the place, flung my arms around her, as if I would tear her from the
grasp of a visible Death, and lifted her from the pedestal down to my
heart. But no sooner had her feet ceased to be in contact with the
black pedestal, than she shuddered and trembled all over; then,
writhing from my arms, before I could tighten their hold, she sprang
into the corridor, with the reproachful cry, “You should not have
touched me!” darted behind one of the exterior pillars of the circle,
and disappeared. I followed almost as fast; but ere I could reach the
pillar, the sound of a closing door, the saddest of all sounds
sometimes, fell on my ear; and, arriving at the spot where she had
Public-domain text, read in full here on John Shaqi.
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