Phantom Fortune, a NovelBraddon, M. E. (Mary Elizabeth)
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Phantom Fortune, a Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
'One must always be at concert pitch in society, don't you know, my
dear,' said Georgie to her young protégée.
Thus it happened that, Miss Kearney having behaved badly, Lesbia was
carried off to dear old Seraphine, and delivered over to that modern
witch, as a sacrifice tied to the horns of the altar.
Clanricarde Place is a little nook of Queen Anne houses--genuine Queen
Anne, be it understood--between Piccadilly and St. James's Palace, and
hardly five minutes' walk from Arlington Street. It is a quiet little
_cul de sac_ in the very heart of the fashionable world; and here of an
afternoon might be seen the carriages of Madame Seraphine's customers,
blocking the whole of the carriage way, and choking up the narrow
entrance to the street, which widened considerably at the inner end.
Madame Seraphine's house was at the end, a narrow house, with tall
old-fashioned windows curtained with amber satin. It was a small, dark
house, and exhaled occasional odours of garlic and main sewer; but the
staircase was a gem in old oak, and the furniture in the triple
telescopic drawing rooms, dwindling to a closet at the end, was genuine
Louis Seize.
Seraphine herself was the only shabby thing in the house--a wizened
little woman, with a wicked old Jewish face, and one shoulder higher
than the other, dressed in a shiny black moire gown, years after moires
had been exploded, and with a rag of old lace upon her sleek black
hair--raven black hair, and the only good thing about her appearance.
One ornament, and one only, had Seraphine ever been guilty of wearing,
and that was an old-fashioned half-hoop ring of Brazilian diamonds,
brilliants of the first water. This ring she called her yard measure;
and she was in the habit of using it as her Standard of purity, and
comparing it with any diamonds which her customers submitted to her
inspection. For the clever little dressmaker had a feeling heart for a
lady in difficulties, and was in the habit of lending money on good
security, and on terms that were almost reasonable as compared with the
usurious rates one reads of in the newspapers.
Lesbia's first sensation upon having this accomplished person presented
to her was one of shrinking and disgust. There was something sinister in
the sallow face, the small shrewd eyes, and long hooked nose, the
crooked figure, and claw-shaped hands. But when Madame Seraphine began
to talk about gowns, and bade her acolytes--smartly-dressed young women
with pleasing countenances--bring forth marvels of brocade and satin,
embroideries, stamped velvets, bullion fringes, and ostrich feather
flouncings, Lesbia became interested, and forgot the unholy aspect of
the high priestess.
Lady Kirkbank and the dressmaker discussed Lesbia's charms as calmly as
if she had been out of the room.
'What do you think of her figure?' asked Lady Kirkbank.
Public-domain text, read in full here on John Shaqi.
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