Phantom Fortune, a NovelBraddon, M. E. (Mary Elizabeth)
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Phantom Fortune, a Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
'If you had only accepted Mr. Smithson it would not matter how much
money you owed people,' said Lady Kirkbank. 'You had better come down to
lunch. A glass of Heidseck will bring you up to concert pitch.'
Champagne was Lady Kirkbank's idea of a universal panacea; and she had
gradually succeeded in teaching Lesbia to believe in the sovereign power
of Heidseck as a restorative for shattered nerves. At Fellside Lesbia
had drunk only water; but then at Fellside she had never known that
feeling of exhaustion and prostration which follows days and nights
spent in society, the wear and tear of a mind forever on the alert, and
brilliant spirits which are more often forced than real. For her chief
stimulant Lesbia had recourse to the teapot; but there were occasions
when she found that something more than tea was needed to maintain that
indispensable vivacity of manner which Lady Kirkbank called concert
pitch.
To-day she allowed herself to be persuaded. She went down to luncheon,
and took a couple of glasses of dry champagne with her cutlet, and, thus
restored, was equal to putting on the new bonnet, which was so becoming
that her spirits revived as she contemplated the effect in her glass. So
Lady Kirkbank carried her off to the musical _matinée_, beaming and
radiant, having forgotten all about that dark hint of evil glancing at
the name of her long dead grandfather.
The duchess was not on view when Lady Kirkbank and her _protégée_
arrived, and a good many people belonging to Georgie's own particular
set were scattered like flowers among those real music-lovers who had
come solely to hear the new pianiste. The music-lovers were mostly dowdy
in their attire, and seemed a race apart. Among them were several young
women of the Blessed Damozel school, who wore flowing garments of
sap-green or ochre, or puffed raiment of Venetian red, and among whom
the cartwheel hat, the Elizabethan sleeve, and the Toby frill were
conspicuous.
There were very few men except the musical critics in this select
assemblage, and Lesbia began to think that it was going to be very
dreary. She had lived in such an atmosphere of masculine adulation while
under Lady Kirkbank's wing that it was a new thing to find herself in a
room where there were none to love and very few to praise her. She felt
out in the cold, as it were. Those ungloved critics, with their shabby
coats and dubious shirts, snuffy, smoky, everything they ought not to
be, seemed to her a race of barbarians.
Finding herself thus cold and lonely in the midst of the duchess's
splendour of peacock-blue velvet and peacock-feather decoration, Lesbia
was almost glad when in the middle of Madame Metzikoff's opening
gondolied--airy, fairy music, executed with surpassing delicacy--Mr.
Smithson crept gently into the _fauteuil_ just behind hers, and leant
over the back of the chair to whisper an inquiry as to her opinion of
the pianist's style.
Public-domain text, read in full here on John Shaqi.
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