Phantom Fortune, a NovelBraddon, M. E. (Mary Elizabeth)
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Phantom Fortune, a Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
No doubt Lady Maulevrier had saved money; yes, she must have saved
thousands during her long seclusion, Lesbia argued. Her grandmother had
told her that she was to look upon herself as an heiress. This could
only mean that Lady Maulevrier had a fortune to leave her; and this
being so, what could it matter if she had anticipated some of her
portion? And yet there was in her heart of hearts a terrible fear of
that stern dowager, of the cold scorn in those splendid eyes when she
should stand revealed in all her foolishness, her selfish, mindless,
vain extravagances. She, who had never been reproved, shrank with a
sickly dread from the idea of reproof. And to be told that her career as
a fashionable beauty had been a failure! That would be the bitterest
pang of all.
Soon came luncheon, and Heidseck, and then an afternoon which was gayer
than the morning had been, inasmuch as every one babbled and laughed
more after luncheon. And then there was five o'clock tea on deck, under
the striped Japanese awning, to the jingle of banjos, enlivened by the
wit of black-faced minstrels, amidst wherries and canoes and gondolas,
and ponderous houseboats, and snorting launches, crowding the sides of
the sunlit river, in full view of the crowd yonder in front of the Red
Lion, and here on this nearer bank, and all along either shore, fringing
the green meadows with a gaudy border of smartly-dressed humanity.
It was a gay scene, and Lesbia gave herself up to the amusement of the
hour, and talked and chaffed as she had learned to talk and chaff in one
brief season, holding her own against all comers.
Rood Hall looked lovely when they went back to it in the gloaming, an
Elizabethan pile crowned with towers. The four wings with their conical
roofs, the massive projecting windows, grey stone, ruddy brickwork,
lattices reflecting the sunlight, Italian terrace and blue river in the
foreground, cedars and yews at the back, all made a splendid picture of
an English ancestral home.
'Nice old place, isn't it?' asked Mr. Smithson, seeing Lesbia's
admiring gaze as the launch neared the terrace. They two were standing
in the bows, apart from all the rest.
'Nice! it is simply perfect.'
'Oh no, it isn't. There is one thing wanted yet.'
'What is that?'
'A wife. You are the only person who can make any house of mine perfect.
Will you?' He took her hand, which she did not withdraw from his grasp.
He bent his head and kissed the little hand in its soft Swedish glove.
'Will you, Lesbia?' he repeated earnestly; and she answered softly,
'Yes.'
That one brief syllable was more like a sigh than a spoken word, and it
seemed to her as if in the utterance of that syllable the three thousand
pounds had been paid.
CHAPTER XXXI.
'KIND IS MY LOVE TO-DAY, TO-MORROW KIND.'
Public-domain text, read in full here on John Shaqi.
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