He opened the bag and took out a red morocco case, and then half-a-dozen more red morocco cases of various shapes and sizes. The first looked new, but the others were old-fashioned and passing shabby, as if they had been knocking about brokers' shops for the last quarter of a century. 'There is my wedding gift, Mary,' he said, handing her the new case. It contained an exquisitely painted miniature of a very beautiful woman, in a large oval locket set with sapphires. 'You have asked me for my portrait, dearest,' he said. 'I give you my mother's rather than my own, because I loved her as I never thought to love again, till I knew you. I should like you to wear that locket sometimes, Mary, as a kind of link between the love of the past and the love of the present. Were my mother living, she would welcome and cherish my bride and my wife. She is dead, and you and she can never meet on earth: but I should like you to be familiar with the face which was once the light of my life.' Mary's eyes filled with tears as she gazed at the face in the miniature. It was the portrait of a woman of about thirty--a face of exquisite refinement, of calm and pensive beauty. 'I shall treasure this picture always, above all things,' she said: but 'why did you have it set so splendidly, Jack? No gems were needed to give your mother's portrait value in my eyes.' 'I know that, dearest, but I wanted to make the locket worth wearing. And now for the other cases. The locket is your lover's free gift, and is yours to keep and to bequeath to your children. These are heirlooms, and yours only during your husband's lifetime.' He opened one of the largest cases, and on a bed of black velvet Mary beheld a magnificent diamond necklace, with a large pendant. He opened another and displayed a set of sprays for the hair. Another contained earrings, another bracelets, the last a tiara. 'What are they for?' gasped Mary. 'For my wife to wear.' 'Oh, but I could never wear such things,' she exclaimed, with an idea that these must be stage jewellery. 'They are paste, of course--very beautiful for people who like that kind of thing--but I don't.' She felt deeply shocked at this evidence of bad taste on the part of her lover. How the things flashed in the sunshine--but so did the crystal drops in the old Venetian girandoles. 'No, Molly, they are not paste; they are Brazilian diamonds, and, as Maulevrier would say, they are as good as they make them. They are heirlooms, Molly. My dear mother wore them in her summer-tide of wedded happiness. My grandmother wore them for thirty years before her; my great grandmother wore them at the Court of Queen Charlotte, and they were worn at the Court of Queen Anne. They are nearly two hundred years old; and those central stones in the tiara came out of a cap worn by the Great Mogul, and are the largest table diamonds known. They are historic, Mary.' 'Why, they must be worth a fortune.'