Phantom Fortune, a NovelBraddon, M. E. (Mary Elizabeth)
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Phantom Fortune, a Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
While Lord Hartfield sat in his friend's office in Great George Street
reading the life story of Gomez de Montesma, told with the cruel
precision and the unvarnished language of a criminal indictment, the
hero of that history was gliding round the spacious ballroom of the
Cowes Club, with Lady Lesbia Haselden's dark-brown head almost reclining
on his shoulder, her violet eyes looking up at his every now and then,
shyly, entrancingly, as he bent his head to talk to her.
The Squadron Ball was in full swing between midnight and the first hour
of morning. The flowers had not lost their freshness, the odours of dust
and feverish human breath had not yet polluted the atmosphere. The
windows were open to the purple night, the purple sea. The stars seemed
to be close outside the verandah, shining on purpose for the dancers;
and these two--the man tall, pale, dark, with flashing eyes and short,
sleek raven hair, small head, noble bearing; the girl divinely lovely in
her marble purity of complexion, her classical grace of form--these two
were, as every one avowed and acknowledged, the handsomest couple in the
room.
'We're none of us in it compared with them,' said a young naval
commander to his partner, whereupon the young lady looked somewhat
sourly, and replied that Lady Lesbia's features were undeniably regular
and her complexion good, but that she was wanting in soul.
'Is she?' asked the sailor, incredulously, 'Look at her now. What do you
call that, if it isn't soul?'
'I call it simply disgraceful,' answered his partner, sharply turning
away her head.
Lesbia was looking up at the Spaniard, her lips faintly parted, all her
face listening eagerly as she caught some whispered word, breathed among
the soft ripples of her hair, from lips that almost touched her brow.
People cannot go on waltzing for ten minutes in a dead silence, like
automatic dancers. There must be conversation. Only it is better that
the lips should do most of the talking. When the eyes have so much to
say society is apt to be censorious.
Public-domain text, read in full here on John Shaqi.
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