The wind sighed through the aisles of the hill-forest. Among the
lower-set pines there was an accompanying sound as of multitudinous
baffled wings. This travelling voice was upon the mountain in a myriad
utterance. Round the forehead of Ben Iolair it moved as an eagle moves,
sweeping in vast circles: the rhythm of its flight reiterated variously
against walls of granite, gigantic boulders, and rain-scooped,
tempest-worn crags and pinnacles. Lower were corries, furrows that
seemed to have been raked into the breast of the hill in some olden time
when the solitudes were not barren. Therein the wind slid with a hollow,
flute-like call. This deepened into an organ-note of melancholy, when
glens, filled with birchen undergrowth and running water, were aloud
with the rumour of its passages. Upon the heights, upon the flanks, upon
all the sunswept mass of Iolair, the rushing noise of its pinions was
as the prolonged suspiration of the sea. Beyond the forest of pines it
swooped adown the strath, and raced up the narrow neck of the Pass of
the Eagles, and leaped onward again athwart and over the slopes of
Tornideon that, gigantic in swarthy gloom, stood over against Ben
Iolair.
In the heart of the pinewoods it was meshed as in a net. The sighing of
it through the green-gloom avenues, warm with the diffused ruddiness of
the pine-bark, was as the sound of distant water falling from infrequent
ledge to ledge in a mountain gorge. Intent by the fringe of the forest,
or even upon the underslopes still flooded with afternoon sunlight, one
might have heard its rising and falling sough as it bore downward
beneath the weight of the branches, or slipped from bole to bole and
round ancient girths.
Here and there a hollow was still as deep water. Not a sigh breathed
upon the mossy ground, thickly covered in parts with cones and the
myriad-shed needles of the pines. Not a murmur came from the spell-bound
trees. The vast boughs hung motionless in the silent air. Sometimes the
upper branches stirred, but while the shadow-haunted plumes ruffled as
with a passing breath, it was with a slow, solemn, soundless rhythm.
In one of those sanctuaries of peace, where the forest was thinner and
everywhere luminous with the flowing gold of the setting sun, a child
danced blithely to and fro, often clapping her hands, but without word
or sound, and with her wild-fawn eyes ceaselessly alert yet
unquestioning and unsmiling.
Public-domain text, read in full here on John Shaqi.
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