Sometimes a boulder, at a vast height, would stand disclosed. The wet
upon it, from granite boss and yellow lichen, shimmered as though the
fairy-folk who weave the rainbows were there at work. A space below
would give way to the sudden leap of the hill-wind; and with a rush the
sunlight would stream forward. Pine after pine would rear a green
banner, from which mist-veils would float, or rise and sway like flags
of a marching army. Then the ranks would close in again. Flying columns
would converge from right and left; the pine-banners would vanish, as
though in the smoke of battle: a mighty swaying mass would sweep upward,
absorb the sunbeams and splinter their gleaming lances, till boulder
after boulder would be captured and the bastioned heights themselves be
environed in the assault.
From the narrow loch at the end of the ravine, in the Pass of the
Eagles, came the clamour of wildfowl. Now here, now there, as though a
voice swam disembodied in that white sea, the double note of the cuckoo
resounded. In a thick sob, the echo of the Linn o' Mairg came heavily at
intervals. The muffled noise of Mairg Water crawled through the caverns
of the mist.
Though the two mountain-buttresses at the head of the pass are so close
that the legend of a stag having taken the intervening space at a bound
is not wholly incredible, it was impossible for one hid in the mist on
Maol-Gorm of Iolair to see any one or anything on Maol-dubh of
Tornideon. But through the mist, here suffused with a pale golden light,
was audible on both spurs the bleating of travelling sheep and the
barking of a dog, with, now and again, the lowing of cows.
Suddenly a voice rang out, strong, clear, and blithe:
"_Mo rùn geal, dìleas,
Dìleas, dìleas,
Mo rùn geal, dìleas
Nach till thunall!_"
Upon the spring of the last word came back from Iolair a voice as blithe
and more sweet, the voice of a woman, with the lilt of a bird in it and
all the joy of the sunshine:
"_I go where the sheep go,
With the sheep are my feet:
I go where the kye go,
Their breath is so sweet:
O lover who loves me,
Art thou half so fleet?
Where the sheep climb, the kye go,
There shall we meet!_"
There was something so penetratingly sweet and joyous in the song that
it stirred every bird on the hillside. The larks rose through the mist
till they swam into the sunflood; the linties and shilfas and
yellow-yites sent thrilling notes from gorse-bush to gorse-bush and from
rowan to rowan. In the birk-shaws, the cries of the merles sounded like
shrill flutes.
To and fro went the sweet voices. Now the man's on Tornideon would ring
blithely, now the woman's on Iolair respond.
At last, as the cattle moved up the slopes, with the spreading sheep in
advance, the shepherding voices fell further apart. Instinct led the kye
to the sunlight, for all living things have their joy through the eyes.
"_Sorcha, Sorcha, Sorcha!_" came ringing through the mist:
"_Sorcha-mo-ciatach-nio-nag!_"
Public-domain text, read in full here on John Shaqi.
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