"Seeing you have not been here before," said Pharos, "I might explain
that this is the most typical thieves' gambling hell in London. There is
not a man or woman in this room at the present moment who is not a
hardened criminal in every sense of the word. The fellow at the end
narrowly escaped the gallows, the man on his right has but lately
emerged from seven years' penal servitude for burglary. The three
sitting together next the banker are at the present moment badly wanted
by the police, while the old woman who admitted us, and who was once not
only a celebrated variety actress, but an exceedingly beautiful woman,
is the mother of that sickly youth drinking gin beside the fireplace,
who assisted in the murder of an old man in Shaftesbury Avenue a
fortnight or so ago, and will certainly be captured and brought within
measurable distance of the gallows before many more weeks have passed
over his head. Have you seen enough of this to satisfy you?"
"More than enough," I answered truthfully.
"Then let us leave. It will soon be daylight, and there are still many
places for us to visit before we return home."
We accordingly bade the occupants of the room good-night, and, when we
had been escorted to the door by the old woman who had admitted us, left
the house.
From the neighbourhood of Seven Dials Pharos carried me off to other
equally sad and disreputable quarters of the city. We visited Salvation
Army Shelters, the cheapest of cheap lodging-houses, doss-houses in
comparison to which a workhouse would be a palace; dark railway arches,
where we found homeless men, women, and children endeavouring to snatch
intervals of rest between the visits of patrolling policemen; the public
parks, where the grass was dotted with recumbent forms, and every seat
was occupied; and then, turning homewards, reached Park Lane just as the
clocks were striking seven, as far as I was concerned sick to the heart,
not only of the sorrow and the sin of London, but of the callous
indifference to it displayed by Pharos.
CHAPTER XX.
Public-domain text, read in full here on John Shaqi.
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