When we rose from the table my host and hostess retired to their
respective cabins, while I lit a cigar and went on deck. The sun was
just disappearing below the horizon and a wonderful hush had fallen upon
the sea. Scarcely a ripple disturbed its glassy surface, while the track
the vessel left behind her seemed to lead across the world into the very
eye of the sinking sun beyond. There was something awe-inspiring in the
beauty and stillness of the evening. It was like the hush that precedes
a violent storm, and seeing the captain near the entrance to the
smoking-room, I made my way along the deck and accosted him, inquiring
what he thought of the weather.
"I scarcely know what to think of it, monsieur," he answered in French.
"The glass has fallen considerably since morning. My own opinion is that
it is working up for a storm."
I agreed with him, and after a few moments' more conversation, thanked
him for his courtesy and returned aft.
Reaching the skylight, I seated myself upon it. The glasses were lifted
and through the open space I could see into the saloon below. The mellow
light of the shaded electric lamps shone upon the rich decorations and
the inlaid furniture and was reflected in the mirrors on the walls. As
far as I could see no one was present. I was about to rise and move away
when a sound came from the Fräulein Valerie's cabin that caused me to
remain where I was. Someone was speaking, and that person was a woman.
Knowing there was no other of her sex on board, this puzzled me more
than I can say. The voice was harsh, monotonous, unmusical, and grated
strangely upon the ear. There was a pause, then another, which I
instantly recognised as belonging to Pharos, commenced.
I had no desire to play the eavesdropper, but for some reason which I
can not explain I could not choose but listen.
"Come," Pharos was saying in German, "thou canst not disobey me. Hold my
hand so, open thine eyes, and tell me what thou seest!"
There was a pause for a space in which I could have counted fifty. Then
the woman's voice answered as slowly and monotonously as before:
"I see a sandy plain, which stretches as far as the eye can reach in all
directions save one. On that side it is bordered by a range of hills. I
see a collection of tents, and in the one nearest me a man tossing on a
bed of sickness."
"Is it he? The man thou knowest?"
There was another pause, and when she answered, the woman's voice was
even harsher than before:
"It is he."
"What dost thou see now?"
"I am in the dark, and see nothing."
"Hold my hand and wait, thou wilt see more plainly anon. Now that thine
eyes are accustomed to the darkness, describe to me the place in which
thou standest."
There was another interval. Then she began again:
"I am in a dark and gloomy cavern. The roof is supported by heavy
pillars, and they are carved in a style I have never seen before. On the
ceilings and walls are paintings, and lying on a slab of stone--a dead
man!"
Public-domain text, read in full here on John Shaqi.
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