Phases of an Inferior PlanetGlasgow, Ellen Anderson Gholson
General
Phases of an Inferior Planet
Glasgow, Ellen Anderson Gholson
Fiction
"It doesn't look exactly like enjoyment," he returned. "From a casual
view, I should call it a condition of boredom."
He had aged ten years in the last fortnight, and his eyes had the
shifting look of a man who flees an inward fear.
Nevins regarded him unsmilingly.
"Oh, I like it," he answered, lifting his glass. "Come and join me. I
tell you I'd rather be drunk to-day than be President to-morrow."
"What's the matter?"
"Oh, nothing. I haven't done a damned stroke for a week; that's all. I
am tired of painting people's portraits."
"Nonsense. Ten years ago you went on a spree because there were no
portraits to paint."
"Yes," Nevins admitted, "history repeats itself--with variations. The
truth is, Anthony, I can't work."
"Can't? Well, what are you going to do about it?"
"I am going to drink about it."
He drained his glass, laid his pipe aside, and rose, running his hand
through his hair until it stood on end.
"Don't be an idiot. You gave all that up long ago."
Nevins filled his glass and looked up at the skylight.
"'Indeed, indeed, repentance oft before
I swore--but was I sober when I swore?'"
he retorted, with a laugh. Then he lowered his voice. "Between you and
me," he said, "drinking is not what it is cracked up to be. To save my
life, I can't detect a whiff of that old delicious savor of vice. I
detect a twinge of gout instead. Coming conditions cast their claws
before."
Father Algarcife glanced about the room impatiently.
"Come," he said, "I am hurried. Let's see the portrait."
Nevins tossed a silk scarf from a canvas in the corner, and the other
regarded the work for a moment in silence.
"Yes, I like it," he said. "I like it very much indeed."
As he turned away, he stumbled against the easel containing the canvas
on which Nevins had been working, and he started and drew back, his face
paling. It was the portrait of Mariana, her profile drawn against the
purple curtain.
Nevins, following him with his eyes, spoke suddenly.
"That also is good, is it not?" he asked.
Father Algarcife stared above the portrait to the row of death-masks on
their ebony frame.
"Yes, that also is good," he repeated.
As he descended the stairs he met Ardly coming up, his eyes bright and
his handsome face aglow.
They stopped and shook hands.
"Politics agree with you, I see," said Father Algarcife. "I am glad of
it."
Ardly nodded animatedly.
"Yes, yes," he returned, "there is nothing like it, and we are going to
give you the best government the city has ever seen. There is no doubt
of that."
"All right," and he passed on. When he reached the street he turned
westward. It was the brilliant hour of a changeable afternoon, the
sunshine slanting across the sidewalks in sharp lights and shadows, and
the river wind entering the lungs like the incision of a blade. The
people he met wore their collars close about their throats, their faces
blue from the cold.
Public-domain text, read in full here on John Shaqi.
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