Yet I waited some eight years longer, lest I should on so grave a subject write anything premature. Especially I felt that it was necessary to learn more of what the erudition of Germany had done on these subjects. Michaelis on the New Testament had fallen into my hands several years before, and I had found the greatest advantage from his learning and candour. About this time I also had begun to get more or less aid from four or five living German divines; but none produced any strong impression on me but De Wette. The two grand lessons which I learned from him, were, the greater recency of Deuteronomy, and the very untrustworthy character of the book of Chronicles; with which discovery, the true origin of the Pentateuch becomes still clearer.[7] After this, I heard of Hengstenberg as the most learned writer on the opposite side, and furnished myself with his work in defence of the antiquity of the Pentateuch: but it only showed me how hopeless a cause he had undertaken. * * * * * In this period I came to a totally new view of many parts of the Bible; and not to be tedious, it will suffice here to sum up the results. The first books which I looked at as doubtful, were the Apocalypse and the Epistle to the Hebrews. From the Greek style I felt assured that the former was not by John,[8] nor the latter by Paul. In Michaelis I first learnt the interesting fact of Luther having vehemently repudiated the Apocalypse, so that he not only declared its spuriousness in the Preface of his Bible, but solemnly charged his successors not to print his translation of the Apocalypse without annexing this avowal:--a charge which they presently disobeyed. Such is the habitual unfairness of ecclesiastical corporations. I was afterwards confirmed by Neander in the belief that the Apocalypse is a false prophecy. The only chapter of it which is interpreted,--the 17th,--appears to be a political speculation suggested by the civil war of Otho, Vitellius and Vespasian; and erroneously opines that the eighth emperor of Rome is to be the last, and is to be one of the preceding emperors restored,--probably Nero, who was believed to have escaped to the kings of the East.--As for the Epistle to the Hebrews, (which I was disposed to believe Luther had well guessed to be the production of Apollos,) I now saw quite a different genius in it from that of Paul, as more artificial and savouring of rhetorical culture. As to this, the learned Germans are probably unanimous. Next to these, the Song of Solomon fell away. I had been accustomed to receive this as a sacred representation of the loves of Christ and the Church: but after I was experimentally acquainted with the playful and extravagant genius of man's love for woman, I saw the Song of Solomon with new eyes, and became entirely convinced that it consists of fragments of love-songs, some of them rather voluptuous.