Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
Every week and month henceforth added to their comfort. Art advanced in
life, in respectability, and independence; he was, indeed, a pattern
to all tradesmen who wish to maintain in the world such a character
as enforces esteem and praise; his industry was incessant, he was ever
engaged in something calculated to advance himself; up early and
down late was his constant practice--no man could exceed, him in
punctuality--his word was sacred--whatever he said was done; and so
general were his habits of industry, integrity, and extreme good conduct
appreciated, that he was mentioned as a fresh instance of the high
character sustained by all who had the old blood of the Fermanagh
Maguires in their veins. In this way he proceeded, happy in the
affections of his admirable wife--happy in two lovely children--happy in
his circumstances--in short, every way happy, when, to still add to that
happiness, on the night of the very day that closed the term of his oath
against liquor--that closed the seventh year--his wife presented him
with their third child, and second daughter.
In Ireland there is generally a very festive spirit prevalent during
christenings, weddings, or other social meetings of a similar nature;
and so strongly is this spirit felt, that it is--or was, I should rather
say--not at all an unusual thing for a man, when taking an oath
against liquor, to except christenings or weddings, and very frequently
funerals, as well as Christmas and Easter. Every one acquainted with
the country knows this, and no one need be surprised at the delight with
which Art Maguire hailed this agreeable coincidence. Art, we have said
before, was naturally social, and, although he did most religiously
observe his oath, yet, since the truth must be told, we are bound
to admit that, on many and many an occasion, he did also most
unquestionably regret the restraint that he had placed upon himself with
regard to liquor. Whenever his friends were met together, whether at
fair, or market, wedding, christening, or during the usual festivals, it
is certain that a glass of punch or whiskey never crossed his nose
that he did not feel a secret hankering after it, and would often have
snuffed in the odor, or licked his lips at it, were it not that he
would have considered the act as a kind of misprision of perjury. Now,
however, that he was free, and about to have a christening in his house,
it was at least only reasonable that he should indulge in a glass,
if only for the sake of drinking the health of “the young lady.” His
brother Frank happened to be in town that evening, and Art prevailed on
him to stop for the night.
“You must stand for the young colleen, Frank,” said he, “and who do you
think is to join you?”
“Why, how could I guess?” replied Frank.
“The sorra other but little Toal Finnigan, that thought to take Margaret
from me, you renumber.”
Public-domain text, read in full here on John Shaqi.
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