Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
“It's a hard case, Toal,” said Art; “an' I b'lieve you're as badly off,
if not worse, now than ever.”
“In that respect,” replied Toal, “I'm ladin' the life of a murdherer. I
can't set my face out but there's a pursuit after me--chased an' hunted
like a bag fox; devil a lie I'm tellin' you.”
“But do you intend to marry still, Toal?” asked Frank; “bekaise if you
don't, it would be only raisonable for you to make it generally known
that your mind's made up to die a bachelor.”
“I wouldn't bring the penalty an' expenses of a wife an' family on me,
for the handsomest woman livin',” said Toal. “Oh no; the Lord in mercy
forbid that! Amin, I pray.”
“But,” said Art, “is it fair play to the girls not to let that be
generally known, Toal?”
“Hut,” replied the other, “let them pick it out of their larnin', the
thieves. Sure they parsecuted me to sich a degree, that they desarve no
mercy at my hands. So, Art,” he proceeded, “you've got another mouth to
feed! Oh, the Lord pity you! If you go on this way, what 'ill become of
you at last?”
“Don't you know,” replied Art, “that God always fits the back to the
burden, and that he never sends a mouth but he sends something to fill
it.”
The little extortioner shrugged his shoulders, and raising his eyebrows,
turned up his eyes--as much as to say, What a pretty notion of life you
have with such opinions as these!
“Upon my word, Toal,” said Art, “the young lady we've got home to us is
a beauty; at all events, her godfathers need not be ashamed of her.”
“If she's like her own father or mother,” replied Toal, once more
resuming the sugar-candy style, “she can't be anything else than a
beauty, It's well known that sich a couple never stood undher the roof
of Aughindrummon Chapel, nor walked the street of Ballykeerin.”
Frank winked at Art, who, instead of returning the wink, as he ought
to have done, shut both his eyes, and then looked at Toal with an
expression of great compassion--as if he wished to say, Poor fellow, I
don't think he can be so bad-hearted as the world gives him credit for.
“Come, Toal,” he replied, laughing, “none of your bother now. Ay was
there, many a finer couple under the same roof, and on the same street;
so no palaver, my man; But are you prepared to stand for the girsha? You
know it's nearly a month since I axed you?”
“To be sure I am; but who's the midwife?”
“Ould Kate Sharpe; as lucky a woman as ever came about one's house.”
“Throth, then, I'm sorry for that,” said Toal, “for she's a woman I
don't like; an' I now say beforehand, that devil a traneen she'll be the
betther of me, Art.”
“Settle that,” replied Art, “between you; at all events, be ready on
Sunday next--the christenin's fixed for it.”
Public-domain text, read in full here on John Shaqi.
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