Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
Defeat of any kind was a thing he could never think of;
but for a Maguire--one of the great Fermanagh Maguires--to be beaten
at a rascally game of Spoil Five, was not to be endured; the matter was
impossible, unless by foul play, and as there was only one method of
treating those who could stoop to the practice of foul play, why he
seldom lost any time in adopting it. This was to apply the fist, and as
he had generally three or four against him, and as, in most instances,
he was in a state of intoxication, it usually happened that he received
most punishment.
Up to this moment we have not presented Art to our readers in any other
light than that of an ordinary drunkard, seen tipsy and staggering in
the streets, or singing as he frequently was, or fighting, or playing
cards in the public-houses. Heretofore he was not before the world, and
in everybody's eye; but he had now become so common a sight in the town
of Ballykeerin, that his drunkenness was no longer a matter of surprise
to its inhabitants. At the present stage of his life he could not bear
to see his brother Frank; and his own Margaret, although unchanged and.
loving as ever, was no longer to him the Margaret that she had been.
He felt how much he had despised her advice, neglected her comfort, and
forgotten the duties which both God and nature had imposed upon him,
with respect to her and their children. These feelings coming upon him
during short intervals of reflection, almost drove him mad, and he
has often come home to her and them in a frightful and terrible
consciousness that he had committed some great crime, and that she and
their children were involved in its consequences.
“Margaret,” he would say, “Margaret, what is it I've done aginst you and
the childre? I have done some great crime aginst you all, for surely if
I didn't, you wouldn't look as you do--Margaret, asthore, where is the
color that was in your cheeks? and my own Art here--that always pacifies
me when nobody else can--even Art doesn't look what he used to be.”
“Well, sure he will, Art, dear,” she would reply; “now will you let me
help you to bed? it's late; it's near three o'clock; Oh Art, dear, if
you were----”
“I won't go to bed--I'll stop here where I am, wid my head on the table,
till mornin'. Now do you know--come here, Margaret--let me hear you--do
you know, and are you sensible of the man you're married to?”
“To be sure I am.”
“No, I tell you; I say you are not. There is but one person in the house
that knows that.”
“You're right, Art darlin'--you're right. Come here, Atty; go to your
father; you know what to say, avick.”
“Well, Art,” he would continue, “do you know who your father is?”
“Ay do I; he's one of the great Fermanagh Maguires--the greatest family
in the kingdom. Isn't that it?”
“That's it, Atty darlin'--come an' kiss me for that; yes, I'm one of the
great Fermanagh Maguires. Isn't that a glorious thin', Atty?”
Public-domain text, read in full here on John Shaqi.
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