Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
General
Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
Just then voices were heard at the door, which both recognized as those
of Art and Mat Mulrennan the apprentice.
“Now, darlin',” said the mother, who observed that the child was pale
and drowsy-looking, “you may go to bed, I see you are sleepy, Atty, not
bein' accustomed to sit up so late; kiss me, an' good-night.” He then
kissed her, and sought the room where he slept.
Margaret, after the boy had gone, listened a moment, and became deadly
pale, but she uttered no exclamation; on the contrary, she set her
teeth, and compressed her lips closely together, put her hand on the
upper part of her forehead, and rose to go to the door. She was not yet
certain, but a dreadful terror was over her--Could it be possible that
he was drunk?--she opened it, and the next moment her husband, in a
state of wild intoxication, different from any in which she had ever
seen him, come in. He was furious, but his fury appeared to have been
directed against the apprentice, in consequence of having returned home
so late.
On witnessing with her own eyes the condition in which he returned, all
her presentiments flashed on her, and her heart sank down into a state
of instant hopelessness and misery.
“Savior of the world!” she exclaimed, “I and my childre are lost; now,
indeed, are we hopeless--oh, never till now, never till now!” She wept
bitterly.
“What are you cryin' for now?” said he; “what are you cryin' for, I
say?” he repeated, stamping his feet madly as he spoke; “stop at wanst,
I'll have no cry--cryin' what--at--somever.”
She instantly dried her eyes.
“Wha--what kep that blasted whelp, Mul--Mulrennan, out till now, I say?”
“I don't know indeed, Art.”
“You--you don't! you kno--know noth-in'; An' now I'll have a smash, by
the--the holy man, I'll--I'll smash every thing in--in the house.”
He then took up a chair, which, by one blow against the floor, he
crashed to pieces.
“Now,” said he, “tha--that's number one; whe--where's that whelp,
Mul--Mulrennan, till I pay--pay him for stayin' out so--so late. Send
him here, send the ska-min' sco--scoundrel here, I bid you.”. Margaret,
naturally dreading violence, went to get little Atty to pacify him, as
well as to intercede for the apprentice; she immediately returned, and
told him the latter was coming. Art, in the mean time, stood a little
beyond the fireplace, with a small beach chair in his hand which he had
made for Atty, when the boy was only a couple of years old, but which
had been given to the other children in succession. He had been first
about to break it also, but on looking at it, he paused and said--
“Not this--this is Atty's, and I won't break it.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account