Phemie Frost's ExperiencesStephens, Ann S. (Ann Sophia)
General
Phemie Frost's Experiences
Stephens, Ann S. (Ann Sophia)
Fiction
"What Shakespeare did for theatres, theatre people know how to
acknowledge. They have some spirit; but what author ever comes forward
and asks a place for his fellow-author? How can they expect the country
to be generous to them when they do nothing for each other?"
It kind of took me down when Cousin Dempster said this, and not having
anything to observe, I said nothing, but got right up, and says I:
"If we mean to start for New York, it's time to be getting ready."
LXV.
THE STATUE OF SHAKESPEARE.
Well, sisters, we got to New York in time, and went right up to Central
Park, which was just one garden of flowers, all in full bloom. The
trees, too, were of a bright, lovely green, and the little lakes blue as
a baby's eye, sparkled and rippled wherever the sun shone and the wind
swept over them. A wide green circle, with lots of trees shading it, and
great heaps of bushes heavy with pink and white flowers everywhere
around it, was just alive with men and women. They were all in their
Sunday go-to-meeting best, some on the grass, some in carriages, and all
chatting, laughing, and enjoying themselves mightily, but crowding
toward one spot.
Under these trees, where the grass was greenest, and the flowers
brightest, there was a sort of pyramid, covered over with star-spangled
banners of bright silk. Sweeping round that, like a ring cut in two,
were platforms with rows on rows of seats, built against flag-poles,
from which ever so many flags were a-streaming out on the wind. These
seats were crammed and crowded full of people. The centre platform was
roofed in, and just running over with men holding fiddles, drums,
twisted horns, trumpets, great puffy bass viols, and everything else
that could turn music into thunder, and thunder back into music.
There was an inside circle nearer to the pyramid, and our tickets took
us there, among the greatest people of the country, which was an honor I
felt in behalf of the society. This was the penetralia, which, I
suppose, from the first syllable, was got up especially for authors. I
took my seat in that honored place, and, spreading my white parasol,
looked about me, feeling the exaltation of my position in a modest way,
but willing that others should make their little mark even if I was
there.
Public-domain text, read in full here on John Shaqi.
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