Massinger, Philip, 1583-1640 -- Criticism and interpretation
APPENDIX XI. THE AUTHORSHIP OF “THE FATAL DOWRY”
Boyle assigns to Massinger, Act I.; Act III. as far as line 315 (enter
Novall, junr.); Act IV., 2, 3, 4; Act V. This amounts to about
three-fifths of the play. On metrical grounds I reluctantly concede that
Field wrote the famous funeral scene, Act II., 1. But there are clear
traces of Massinger’s style in the part of Act II., 2, which follows the
prose passage. Thus, Romont’s speech, beginning at line 201, seems to show
traces of Massinger; likewise Pontalier’s, beginning at line 370. It is
probable that Field wrote the prose scenes in the play, and possibly the
songs; nor would I deny that the regular ten-syllable blank verse of such
passages as Act II., 2, 178-187 (ROCHFORT. Why, how now, Beaumelle? ...
nothing but good and fit), and Act II., 2, 318-328 (This is my only child
... were multiplied tenfold), is Field’s work. In the two plays which have
come down to us from Field there is much passable blank verse. It is
important to remember, however, that we have so little of Field left that
it is hazardous to base material tests on it; and secondly, the authors
may have collaborated in individual scenes in such a way as to escape
analysis. This is what probably has taken place in Act II., 2. Nor do I
feel certain that the latter part of Act III. is wholly due to Field;
lines 438-478 contain much that is like Massinger, though the ugly line
464 is not in his style.
“I not accuse thy wife of act, but would
Prevent her precipice to thy dishonour.”
On the other hand, the rhymed couplet (lines 375-6) is probably Field’s.
The pert page in Act IV., 1, reminds us of a similar character in _Woman’s
a Weathercock_, and is probably Field’s handiwork. On the other hand,
Pontalier’s speech in the same scene (lines 119-140) reads to me like
Massinger.
These instances may serve to show how hard it is to dissect the play
satisfactorily.
APPENDIX XII. THE TRAGEDY OF “SIR JOHN VAN OLDEN BARNAVELT”
This play is to be found in Bullen’s _Old Plays_, vol. ii. It was printed
from B.M. Add. MSS. 18653, a folio of thirty-one leaves in a small clear
hand.
Public-domain text, read in full here on John Shaqi.
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