Massinger, Philip, 1583-1640 -- Criticism and interpretation
" 165: But to have power to punish, and yet pardon,
Peculiar to princes.
" 248: Accuse or argue with me.
" 307: To season my silks.
APPENDIX XIX
By the kindness of Mr. Edmund Gosse I have been enabled to examine and
collate the manuscript notes in copies of the first quartos of the
following plays in his possession: _The Duke of Milan_, _The Bondman_,
_The Roman Actor_, _The Renegado_, _The Picture_, _The Fatal Dowry_, _The
Emperor of the East_, _The Maid of Honour_. The dates of these quartos
range from 1623 to 1632. The poet Swinburne had no doubt that the
manuscript notes were due to Massinger himself; the resemblance of the
handwriting is certainly indubitable, but as we have no other evidence
than that of the corrections themselves, we are forced to be content with
the conclusion that the insertions are of a contemporary date. I take the
plays in the above order.
_The Duke of Milan_
I., 1, 23.—This, the last line on the page, has suffered from the binding,
and is written in the margin.(588)
I., 1, 56.—The same thing has happened here.
In both cases the writing resembles that of the poet. It may be argued, on
the other hand, that it is unlikely that the play should have suffered so
soon from binding; it is, however, of course not impossible that the eight
plays were bound up together shortly after the year 1632.
V., 2, 203.—Forza. S. inserted before F. (So _infra_, 218, 234, 256.)
At the end of the play occurs a symbol M which might represent the poet’s
initial.
_The Bondman_
I., 1: Timagorus bis in stage-directions, us corrected to as
and also in
I., 1,5
I., 1, 37: I love live
I., 2, 2: I cannot brooke with this
gadding
I., 3, 83: As to the supreame Magistrates Sicilie
surely tenders
" 161: And yet the chu rl added
" 181: made glorious by Achon Action
" 182: gave warrant to her ailes added
couns
" 183: hand heard
" 206: nor defence noe
" 295: ? at end ? deleted
" 319: of slaves our
II., 1, 71: fam’d fann’d
" 87: vayle y deleted
" 144: loose both sent and th inserted after
beauty “loose,” and c in
“sent”
" 153: owe awe
II., 2, 16: manners; yet this morning for
" 57: cunning coḿinge
" 62: ? added
III., 3, 99: too too large second “too”
deleted
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