I have compared the Malone quarto in the Bodleian Library and find that the mistakes are identical. In other words, _The Roman Actor_ was carelessly printed. Nearly all the corrections made, alike of sense and punctuation, are improvements. The emendation at IV., 2, 28 reads like one made by the author. On the other hand, a careful study of IV., 2, 127 will reveal the fact that the writer’s sense has been mistaken, and the omission of “grim” in IV., 2, 242 spoils the rhythm. The curious thing is that the play is full of misprints, which have not been corrected—_e.g._, III., 2, 143, Anaxerete (and in several other lines); line 154, “Epethite,” for “epithet”; 258, Heccuba. Take again IV., 2, 181: An e is inverted and not corrected; 188, “bttchered” stands for “butchered”; and 189, “lacriledge” for “sacrilege.” _The Renegado_ I., 3, 159: receive least losse “the” inserted after “least.” It spoils the metre II., 5, 46: up to the bre a c breache " ? added III., 3, 1: I will ’Twill " 89: like a neighing gennet to mare to her proud her stallion stallion III., 5, 114: well made galley mann’d IV., 1, 114: witnesse of my change “of” deleted: “good” inserted after “my” V., 2, 79: Franci. inserted (= Francisco) V., 3, 111: Vitelli inserted III., 3, 89 reads like an author’s emendation. On the other hand, the alteration in IV., 1, 114 is not in Massinger’s style. _The Picture_ Line 37, Poem by T. Jay: of to heare or " 38: write neere writ " 40: admir’d admire I., 1, 31: satisfie satietie " 40: ( ) added " 53: If I am so rich or Sir " 120: wone him o inserted after “o” " 154: wracke w deleted " 190: ere the fight begun s added after “fight” (=is) I., 2, 13: bravel ye added " 71: but deleted and added again in margin " 170: examp le added II., 1, 82: A post. deleted " 83: “Aside. A Post.” added in margin II., 2, 98: “In one here” printed “In one here” deleted in a separate line after (_vide_ Gifford) this line