Massinger, Philip, 1583-1640 -- Criticism and interpretation
_ 36 Guardian_, II., 1, 84. Similarly in _The Bashful Lover_, V., 3,
110, Matilda warns Lorenzo that “Heaven’s liberal hand” has designed
him to fight rather against the Turk than a Christian
neighbour-king. Compare _The Devil’s Law-case_ (p. 138_b_).
ERCOLE. When our bloods
Embrac’d each other, then I pitied
That so much valour should be hazarded
On the fortune of a single rapier
And not spent against the Turk.
_ 37 Renegado_, II., 5, 24 and 64-73. Bertoldo, the Knight of Malta, is
the hero of _The Maid of Honour_. _Cf._ also Fletcher’s play of that
name; and _Guardian_, V., 4, 143-145.
_ 38 Unnatural Combat_, V., 2, 230. We find a similar emphasis on the
Turk and pirates in Webster’s _White Devil_ and_ Devil’s Law-case_.
39 The “zealous coblers” and “learned botchers” who preach at Amsterdam
are mentioned in _Renegado_, I., 1, 30-32. In _The Unnatural
Combat_, III., 1, 75, the “Hugonots” are referred to as using the
word “mortified.” “Geneva print” is mentioned in _Duke of Milan_,
I., 1, 11; “precisians” in _New Way_, I., 1, 6, use the word
“verity.”
_ 40 Fair Maid_, IV., 2.
_ 41 Very Woman_, III., 1, 124:
MERCHANT. They have a city, Sir—I have been in it.
And therefore dare affirm it—where if you saw
With what a load of vanity ’tis fraughted,
How like an everlasting morris-dance it looks,
Nothing but hobby-horse and Maid Marian,
You would start indeed.
_ 42 Old Law_, IV., 1, 20; _New Way_, III., 2, 169; _Very Woman_, III.,
5, 29 and 70; _Renegado_, I., 3, 74. _Cf._ _Decameron_, II. 5.
43 For the influence of the masque on Massinger, _cf._ _Picture_, II.,
2; _City Madam_, V., 3; _Guardian_, IV., 2.
_ 44 Cf._ the characters of Simonides in _The Old Law_ and young Novall
in _The Fatal Dowry_, II., 2; _Emperor of the East_, I., 2, 21;
_Picture_, II., 2, 29-36; _Very Woman_, III., 1, 131-2. Compare also
_Henry VIII._, I., 3.
_ 45 Renegado_, III., 1, 57; _Guardian_, II., 1, 81. _Cf._ _Merchant of
Venice_, I., 2, 78-81; _As You Like It_, IV., 1, 34-40.
46 The play ends thus:
Make you good
Your promised reformation, and instruct
Our city dames, whom wealth makes proud, to move
In their own spheres, and willingly to confess,
In their habits, manners, and their highest port,
A distance ’twixt the city and the court.
_Cf._ also _Maid of Honour_, III., 1, 84; _City Madam_, III., 2,
153; IV., 4, 43; _New Way_, II., 1, 81 and 88. In _The Renegado_,
I., 2, distinctions are drawn between the county ladies, the city
dames, and the court ladies of England. Compare also the epilogue to
_Henry VIII_:
Others, to hear the city
Abused extremely, and to cry “that’s witty.”
Public-domain text, read in full here on John Shaqi.
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