The plays in which Massinger is supposed to have collaborated with other authors are here set down, with the analyses made by Boyle (_D. N. B._, xxxvii., pp. 10-16) and the views of Mr. A. H. Bullen in his article on Fletcher (_D. N. B._, xix., pp. 303-311).(534) 1. _The Honest Man’s Fortune._ (Field, Daborne, Massinger, Fletcher.) M.: Act III. or part of it. A. H. B. agrees. A. H. C.: I doubt whether Massinger had any share in this play. There are passages of ten-syllable lines in Act III., 1 which are quite unlike him, while 2 and 3 are interspersed with prose passages, a feature which Massinger as a rule avoids. 2. _Thierry and Theodoret._ (Massinger, Field, Fletcher, and possibly a fourth writer.) M: Act I., 2; Act II., 1, 3; Act IV., 2. A. H. B. attributes largely to Massinger, assigning Act III. to an unknown author. A. H. C. assigns to Massinger Act II., 1 and 3, and with some hesitation Act I., 2; Act IV., 2. 3. _The Bloody Brother._ (Massinger, Field, Fletcher, and possibly a fourth writer.) M.: Act I., Act V., 1. A. H. B. thinks that Fletcher and Jonson wrote the play, and that Massinger revised it for a performance at Hampton Court in January, 1636-37. A. H. C.: There are clearly three hands at work here, one of whom writes obscurely and uses a good deal of rhyme. Act I., 1 reminds us of Massinger in several touches, especially lines 269-70. The broken lines in this scene are complete, as is Massinger’s unfailing practice, but the ten-syllable line is more common than is usually the case with him. While Act V., 1 has some sentences cast in the parenthetic form, the expressions used are less lucid than we expect from Massinger. 4. _The Knight of Malta._ (Massinger and Fletcher.) M.: Act III., 2, 3; Act IV., 1; possibly part of Act V., 2. A. H. B. agrees, assigning Act II. and Act III., 1 to Fletcher. “Some third person wrote Act I. and part of Act V.” A. H. C.: I trace Massinger only in Act III., 2. 5. _The Queen of Corinth._ (Massinger, Fletcher (?), Field.) M.: Act I., Act V. A. H. B. assigns Act II. to Fletcher, the rest to Middleton and Rowley. A. H. C.: Massinger wrote Act I., 1, 2, 3 from “Enter Agenor,” V., 2. Fletcher wrote Act I., 3; Act II., 1, 2, 3, 4; Act III., 1, 2; Act V., 3. As usual, he is responsible for the comic parts. Act V., 4 is a vigorous trial scene, not due, I think, to Massinger. The impression that I get from Act III. is that Massinger drafted it, and Fletcher worked over it. 6. _Sir John Van Olden Barnavelt._ (Massinger, Fletcher.) M.: Act I., 1, 2; Act II., 1; Act III., 2, 3, 5; Act IV., 4, 5; Act V., 1 to “Enter Provost.” A. H. B. agrees on the whole. A. H. C.: Act III., 5, and Act IV., 5 seem to me unworthy of Massinger. Perhaps a third hand wrote Act I., 3; Act II., 2-7; Act III., 1, as far as “will ripen the imposture”; Act III., 3; Act V., 1, as far as “Exeunt wife and daughter.” 7. _Henry the Eighth._ (Massinger and Fletcher.)