Philip Winwood: A Sketch of the Domestic History of an American Captain in the War of Independence; Embracing Events that Occurred between and during the Years 1763 and 1786, in New York and London: written by His Enemy in War, Herbert Russell, Lieutenant in the Loyalist Forces.Stephens, Robert Neilson
History
Philip Winwood: A Sketch of the Domestic History of an American Captain in the War of Independence; Embracing Events that Occurred between and during the Years 1763 and 1786, in New York and London: written by His Enemy in War, Herbert Russell, Lieutenant in the Loyalist Forces.
Stephens, Robert Neilson
United States -- History -- Revolution, 1775-1783 -- Fiction
There was the usual noisy throng of coaches, chairs, people afoot,
lackeys, chair-men, boys, and such, in front of the playhouse when we
arrived, and though we scanned all faces on whom the light fell, we
had our wonted disappointment regarding that of Captain Falconer. We
made our way to the pit, and passed the time till the bell and the
chorus "Hats off!" signalled the rising of the green curtain, in
watching the chattering assemblage that was every moment swelled from
the doors; but neither among the lace-ruffled bucks and macaronis who
chaffed with the painted and powdered ladies in the boxes, nor among
those dashing gentry who ogled the same towering-haired ladies from
the benches around us in the pit, did I perceive the elegant and easy
captain. We therefore fell back upon the pleasure to be expected from
the play itself, and when the curtain rose, I, for one, was resigned
to the absence of him we had come partly in quest of.
No sooner had Miss Warren come upon the stage, in her favourite part
of Fanny in "The Clandestine Marriage," revived for the occasion, than
I knew her as Madge Faringfield. I bent forward, with staring eyes and
gaping mouth; if I uttered any exclamation it was drowned in the sound
of the hand-clapping that greeted her. While she curtseyed and
pleasantly smiled, in response to this welcome, I turned abruptly to
Phil, my eyes betokening my recognition. He nodded, without a word or
any other movement, and continued to look at her, his face wearing a
half-smiling expression of gentle gladness.
I knew, from my old acquaintance with him, that he was under so great
emotion that he dared not speak. It was, indeed, a cessation of secret
anxiety to him, a joy such as only a constant lover can understand, to
know that she was alive, well, with means of livelihood, and beautiful
as ever. Though she was now thirty-one, she looked, on the stage, not
a day older than upon that sad night when he had thrown her from him,
six years and more before--nay, than upon that day well-nigh eleven
years before, when he had bade her farewell to go upon his first
campaign. She was still as slender, still had the same girlish air and
manner.
Till the curtain fell upon the act, we sat without audible remark,
delighting our eyes with her looks, our ears with her voice, our
hearts (and paining them at the same time) with the memories her every
movement, every accent, called up.
"How shall we see her?" were Phil's first words at the end of the act.
"We may be allowed to send our names, and see her in the greenroom,"
said I. "Or perhaps you know somebody who can take us there without
any preliminaries."
"Nay," returned Philip, after a moment's thought, "there will be other
people there. I shouldn't like strangers to see--you understand. We
shall wait till the play is over, and then go to the door where the
players come out. 'Twill take her some time to dress for going
home--we can't miss her that way."
Public-domain text, read in full here on John Shaqi.
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