“At last I find a moment to comply with your request. My knowledge of Philipp Reis dates from 1860, when I was a pupil at Professor Garnier’s School at Friedrichsdorf, of which school Reis was one of the undermasters. Reis, naturally communicative, was very fond of talking to us boys about his scientific researches. And it was on the occasion of one of our daily walks together that he told me how, when an apprentice at Beyerbach’s (colour-manufacturer), in Frankfurt-a.-M., he was one day amusing himself in watching the behaviour of a small magnetic compass. This compass he found, on being placed near to the base of various iron columns in the warehouse, was attracted. Disturbed by the entrance of one of the principals, who imagined that Reis ought to employ his time more profitably, he withdrew to a stage where he could pursue his experiments unobserved. Much to his surprise, he now found that the pole attracted by the base was repulsed at the top of the columns, which observation led him to examine other pieces of iron on the premises. He next built up a column with all the weights in the warehouse, and having verified his previous observations, he communicated what he believed to be his first and great discovery either to Professor Böttger or to Dr. Oppel. Great was his disappointment to learn at this interview that he had unwittingly stumbled across a well-known physical fact: but his disappointment stimulated in him the desire to learn more of the marvellous laws and mysteries of nature. That Reis evoked a similar desire in those with whom he came in contact need not cause surprise, and thus it came about that Horkheimer, Küster, Schmidt, and myself, soon enjoyed the privilege of private instructions in physics, and of being permitted to witness his telephonic experiments amongst others. I was, however, very young, and am sorry that much that I then saw and heard has been forgotten, Reis insisted that his transmitter (which he called the ‘ear’) should be capable of performing the functions of that organ, and he never tired of drawing diagrams of the numerous curves of sounds to explain how necessary it was that the transmitter should follow these curves before perfect speaking could be attained, and which kind of curves the instrument so far could reproduce. Numerous experiments were made with transmitters, exaggerating or diminishing the various component parts of the ear. Wooden and metallic apparatus, rough and smooth, were constructed in order to find out what was essential, and what was not. [Illustration: Fig. 41.]