liable to corrode and fuse, and may require therefore more frequent renewal, than gas-coke. Since, then, it is immaterial to the action of a Blake transmitter what substance is used for the contact-pieces, it is clear that the principle of employing an interruptor mounted on springs is the real feature of the instrument. Reis also mounted his interrupters with springs, and for the very same purpose. The function of the weight on the second spring of the Blake transmitter is to resist the movement of the tympanum, and to “modify by its inertia the variations of pressure” between the two contact-pieces. In other words, it acts partly as Berliner’s transmitter, by inertia. So did one of Reis’s instruments, as we have seen. In the Blake instrument there is the happy idea of applying both the spring-principle and the inertia-principle at once. Yet, in spite of this, if the speaker shouts too loudly into a Blake transmitter, he will cause abrupt breaks between the contact-pieces instead of producing partial interruptions in the contact, and in that case speech will, as heard at the other end of the line, be spoiled by a rattling noise. It is possible, also, with Reis’s instruments to spoil the articulation by shouting too loudly, and causing actual abrupt breaks in the continuity. If Blake’s interruptor can be worked as a make-and-break in this sense, so can Reis’s: for there is not one of the features which is essential to Blake’s instrument that cannot be found in Reis’s also. By way of further carrying out the comparison between Reis’s methods of combining his tympanum with his contact-regulator, and the methods adopted by later inventors, we give, in Fig. 45, ten comparative sketches, the first five of which illustrate Reis’s methods. In these sketches the only liberty taken is that of representing no more of the instruments than the actual parts wanted in the comparison. No. 1 represents the working-parts of Reis’s first model ear, with its curved lever, platinum-tipped spring, and adjusting screw. No. 2 shows the springs, screw, and contact-pieces of Reis’s bored-block transmitter (“fourth form:” compare Figs 9 and 10, p. 21). No. 3 shows the curved lever, the springs, and the adjusting screw of Reis’s eighth transmitter (“lever” form). No. 4 gives the working parts of Reis’s ninth transmitter, described in detail on p. 27. No. 5, in which the tympanum is placed in a vertical position, merely for convenience of comparison with the other figures, shows the working parts of Reis’s final form of instrument, in which gravity and the inertia of the upper contact-piece enabled him to dispense with the adjustment of spring and screw. No. 6 shows in profile Berliner’s transmitter, which may be instructively compared with No. 5. No. 7 shows the working part of Blake’s transmitter, which should be compared with Nos. 2 and 4: even the curve of the springs imitates that adopted by Reis. Nos. 8, 9, and 10 are forms of transmitter devised by Edison. No. 8 is