When Ernest Le Breton got a letter from the business house of a
well-known publishing firm, asking him whether he would consent to
supply appropriate letterpress for an illustrated work on the poor
of London, then in course of preparation, his delight and relief
were positively unbounded. That anyone should come and ask him for
work, instead of his asking them, was in itself a singular matter
for surprise and congratulation; that the request should be based
on the avowed ground of his known political and social opinions
was almost incredible. Ernest felt that it was a triumph, not only
for him, but for his dearly-loved principles and beliefs as well.
For the first time in his life, he was going to undertake a piece
of work which he not only thought not wrong, but even considered
hopeful and praise-worthy. Arthur Berkeley, who called round as if
by accident the same morning, saw with delight that Lady Hilda's
prognostication seemed likely to be fulfilled, and that if only
Ernest could be given some congenial occupation there was still
a chance, after all, for his permanent recovery; for it was clear
enough that as there was hope, there must be a little life yet left
in him.
It was Lady Hilda who, as she herself expressively phrased it,
had squared the publishers. She had called upon the head of the
well-known house in person, and had told him fully and frankly
exactly what was the nature of the interest she took in the poor
of London. At first the publisher was scandalised and obdurate: the
thing was not regular, he said--not in the ordinary way of business;
his firm couldn't go writing letters of that sort to unknown young
authors and artists. If she wanted the work done, she must let them
give her own name as the promoter of the undertaking. But Hilda
persevered, as she always did; she smiled, pleaded, cajoled,
threatened, and made desperate love to the publisher to gain his
acquiescence in her benevolent scheme. After all, even publishers
are only human (though authors have been frequently known to deny
the fact); and human nature, especially in England, is apt to
be very little proof against the entreaties of a pretty girl who
happens also to be an earl's daughter. So in the end, when Lady Hilda
said most bewitchingly, 'I put it upon the grounds of a personal
favour, Mr. Percival,' the obdurate publisher gave way at last,
and consented to do her bidding gladly.
Public-domain text, read in full here on John Shaqi.
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