Of Philo, then, we may say, as Montaigne said of himself, that he was a Platonist before he knew who Plato was. Yet he was the first Hellenistic Jew who perceived the fundamental harmony between the philosopher's idealism and Jewish monotheism, and he was the first important commentator of Plato who developed the religious teaching of his master into a powerful spiritual force. It is true that the seeds of neo-Platonism, _i.e._, the religious re-interpretation of Platonism under the influence of Eastern thought, had been sown already; and Philo must have received from his environment to some extent the mystical version of the master's system, with its goal of ecstatic union with God, and its tendency to asceticism as a means thereto. But the earlier products of the movement had been crude, and had lacked a powerful moving spirit. This was provided by Philo when he introduced his overmastering conception of God. The popular saying, "Either Plato Philonizes or Philo Platonizes"[237] contains a deep truth in its first as well as in its second part. It not only marks the likeness in style of the two writers, but it suggests that Philo, on the one hand, made fruitful the religious germ in Plato's teaching by his Hebraism, and, on the other, nourished the philosophical seed in Judaism by his Platonism. Plato's teaching falls into two main classes, the dialectical and the mythical, and it is with the latter that Philo is in specially close connection. For in his myths Plato tries to achieve a synthesis by imaginative flight where he had failed by discursive reason. He unifies experience by striking intuitions, something in the spirit of a Hebrew prophet. Moreover his style, as well as his thought, has here affinity with Jewish modes of thought. As Zeller says, speaking of the myths: "From the first, in the act of producing his work he thinks in images. They mark the point where it becomes evident that he cannot be wholly a philosopher because he is still too much of a poet." And this is true of all Philo's writings, and to generalize somewhat widely, of most Jewish philosophy. In "The Timæus," particularly, Plato, throughout, is the poet-philosopher, writing imaginative myths, which present pictorially an idealistic scheme of the universe; and "The Timæus" is for Philo, after the Bible, the most authoritative of books, the source of his chief philosophical ideas.