Philosophic Nights in Paris: Being selections from Promenades PhilosophiquesGourmont, Remy de
Philosophy
Philosophic Nights in Paris: Being selections from Promenades Philosophiques
Gourmont, Remy de
French essays -- Translations into English; Philosophy
It appears, from all this, that our eyes are uncertain. Two persons
look at the same clock and there is a difference of two or three
minutes in their reading of the time. One has a tendency to put back
the hands, the other to advance them. Let us not too confidently try
to play the part of the third person who wishes to set the first two
aright; it may well happen that we are mistaken in turn. Besides,
in our daily life, we have less need of certainty than of a certain
approximation to certainty. Let us learn how to see, but without
looking too closely at things and men: they look better from a
distance.
THE RIVERS OF FRANCE
A river is a beautiful thing. It runs along, its sings, it laughs, it
glints in the sunlight and becomes darker beneath the trees. Sometimes
one may see the bottom, where there are stones and grasses, while at
times it is a sombre abyss that fills one with shudders. The river
comes from afar and goes no one knows whither. True, people say that
it has a beginning and that its source lies yonder, in the mountains,
but that is not at all so certain. What is a source? When you see a
river, it is already a river and it never occurs to you that it may
ever have been only a tiny ribbon of water trickling down from a rock.
In olden days, when the world was happy, things were far different.
Rivers flowed from a marble pitcher which was held in the hands of
an eternally youthful, drooping maiden. But the wicked god of the
Christians, who is not fond of maidens? beauty, broke those marble
pitchers; the mothers of rivers died of grief and now the rivers are
born by accident, as best they may be. If we are not so well informed
about their birth, we know their life and their death. Their life is
to bound along or to flow nonchalantly on, to prattle over the pebbles
and dream amid the rushes. Often, when traversing the blooming meadows
they love to spread across the grass. If dikes or tree-trunks bar the
way they are provoked and even wax furious. But if it is a mill that
rises before them, they turn its wheels with docile promptness, and
continue on their way unperturbed. The river is the mother of men and
trees, of beasts and plants. Without the river there are no fish; there
are no birds. There are no crops, no flowers, no wine, no cattle, and
man flees, parched by the sun. After having given life, the river has
two ways of dying; either it expands into the bosom of a larger river
or flows directly to mingle with the sea; the sea is the vast cemetery
of all the rivers,--of the smallest as well as the greatest. But the
river that dies is nevertheless just as eternal as the ocean that
receives it into its depths. The clouds are born of the sea, and the
wind wafts them toward the forests, where they make rain and swell the
streams. There is in the world a circulation of water as in our bodies
there is a circulation of blood. All this is well regulated. The sea
loves the river. It comes to meet the stream and sends it as greeting
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