Philosophy in Sport Made Science in Earnest: Being an Attempt to Illustrate the First Principles of Natural Philosophy by the Aid of Popular Toys and SportsParis, John Ayrton
Science
Philosophy in Sport Made Science in Earnest: Being an Attempt to Illustrate the First Principles of Natural Philosophy by the Aid of Popular Toys and Sports
Paris, John Ayrton
Science -- Juvenile literature
The improvement consists in inserting in one, or, if a still greater
change be desired, in both sides of the card, two strings, as seen in
Fig. 1; viz. A D and A E, which united at A, form a common string for
twirling the card. The cord A D is elastic, while the string A E is
incapable of being stretched. If, therefore, while the card is in the
act of spinning, the cord A D be pulled with an increased force, it
will take the position D C, while the inelastic string A E will at the
same time assume that of E C. The consequence of which will be that,
instead of the card spinning on an axis in the direction A B, it will
now spin on that which is in the direction C B, and we shall
accordingly see the images on the opposite sides of the card in
different positions, with respect to each other; at one moment the
bottle will be seen in the hand of the drinker as represented in
Fig. 2, and in the next, at his mouth as shown in the cut below:
[Illustration: Fig. 3. Man with bottle at his mouth.]
while, by alternately tightening and relaxing the string, the figure
will be seen in the very act of raising and lowering the bottle.
Mr. Seymour having explained the principle of his improvement as we
have above related, proceeded to exemplify it by a series of different
subjects. We shall select two or three of them for the sake of
illustration. A card with a jockey on one side and a horse on the
other, on spinning round presented the combined figure; upon tightening
the string, in the manner we have described, the card changed its axis,
without the slightest halt or hesitation in its rotation, and the rider
was in an instant canted over the head of his charger; in a moment,
however, he appeared remounted; after which, by pulling the string,
with different degrees of force, he was made to stand on the saddle,
and to exhibit a number of different movements.
The figure of an Indian juggler was represented in the act of throwing
up _two_ balls; on spinning the card, and, at the same time, altering
the position of the circle, in the manner already described, _three_,
and afterwards _four_, became visible. When the card revolved upon its
original axis, two of the balls on the reverse side coincided with the
two painted on the front, so that during the revolution they fell upon
the same spot on the retina, and therefore produced a single
impression; but as soon as the position of the card was changed, these
spots were brought upon different points, and consequently produced
separate and independent images. By alternately tightening and relaxing
the strings, the balls were seen in motion, arising from and falling
into the hand of the juggler.
Public-domain text, read in full here on John Shaqi.
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