Adventure stories; British -- Foreign countries -- Fiction; Islands -- Fiction; Love stories
I do not know how it was, but Phroso’s words summoned up before my
eyes a vision of Beatrice Hipgrave, pursuing her cheerful way through
the gaieties of the season--or was she in the country by now?--without
wasting very many thoughts on the foolish man who had gone to the
horrid island. The picture of her as the lady who waited for a lover,
forlorn because he tarried, struck with a bitter amusement on my sense
of humour. Phroso saw me smile; her eyes asked a wondering question. I
did not answer it, but turned away and walked down to where the boat
lay.
‘I suppose,’ I said coldly, ‘that this is the best chance?’
‘It is the only chance, my lord,’ she answered; but her eyes were
still puzzled, and her tone was almost careless, as if the matter of
our escape had ceased to be the thing which pressed most urgently on
her mind. I could say nothing to enlighten her; not from my lips,
which longed to forswear her, could come the slightest word in
depreciation of ‘the lady who waited.’
‘Will you get in, then?’ I asked.
‘Yes,’ said Phroso; the joy was gone out of her voice and out of her
eyes.
I helped her into the boat, then I launched it; when it floated clear
on the water of the cave I jumped in myself and took the sculls.
Phroso sat silent and now pale-faced in the stern. I struck the water
with my blades and the boat moved. A couple of strokes took us across
the cave. We reached the mouth. I felt the sun on my neck with its
faint early warmth: that is a good feeling and puts heart in a man.
‘Ah, but the sea and the air are good,’ said Phroso. ‘And it is good
to be free, my lord.’
I looked at her. The sun had caught her eyes now, and the gleam in
them seemed to fire me. I forgot--something that I ought to have
remembered. I rested for a moment on my oars, and, leaning forward,
said in a low voice:
‘Aye, to be free, and together, Phroso.’
Again came the flash of colour, again the sudden happy dancing of her
eyes and the smile that curved in unconquerable wilfulness. I
stretched out a hand, and Phroso’s hand stole timidly to meet it.
Well--surely the Recording Angel looked away!
Thus were we just outside the cave. There rose a straight rock on the
left hand, ending in a level top some four feet above our heads.
And as our hands approached and our eyes--those quicker
foregatherers--met, there came from the top of the rock a laugh, a low
chuckle that I knew well. I don’t think I looked up. I looked still
at Phroso. As I looked, her colour fled, fright leapt into her eyes,
her lips quivered in horror. I knew the truth from her face.
‘Very nice! But what have you done with Cousin Constantine?’ asked
Mouraki Pasha.
The trap, then, had double jaws, and we had escaped Constantine only
to fall into the hands of his master. It was so like Mouraki. I was so
much aghast and yet so little surprised, the fall was so sudden, our
defeat so ludicrous, that I believed I smiled, as I turned my eyes
from Phroso’s and cast a glance at the Pasha.
Public-domain text, read in full here on John Shaqi.
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