Off and on during the remainder of the day this question haunts
me, and only a supreme effort of the will prevents my connecting
it with the name of "Marmaduke."
Surely, surely, I cannot be becoming that most detestable of all
things, a jealous, suspicious wife!
I am unhappy and restless in spite of all my endeavors to be
otherwise. I wander through the house conversing with feverish
gayety with any one I chance to meet, longing eagerly, I scarcely
know why, for the return of the sportsmen. Yet, as the twilight
falls and the shades of evening gather, instead of waiting for
their coming, I have Dora in full possession of the tea-tray,
and, quitting the drawing-room, go upstairs to pass a solitary
and purposeless hour in my boudoir--the pretty little sanctum,
all blue and silver, that associations have endeared to me.
Finding myself as restless here, however, as elsewhere, I leave
it as the clock chimes half-past six, and, turning into the
picture gallery, begin to stare stupidly enough upon the grim
cavaliers and immodest shepherdesses, who in their turn stare back
at me.
Suddenly I become conscious that some cold air is blowing upon
me, and, raising my eyes, perceive the lower window to be partly
open. I shiver, and involuntarily move forward to close it.
Outside this window runs a balcony, reached by stone steps from
the ground beneath, and as I draw nearer to it sounds coming from
thence fall upon my ears--first a woman's voice, and then a
man's.
Their words, though softly uttered, are thoroughly distinct; a
fragment of their conversation, unchecked by the chill wind,
passes close by me and makes itself heard.
"So _you_ thought _once_. You cannot have altogether forgotten
the old times--the past memories---"
It is Blanche Going's voice, and the accent strikes me as being
reproachfully, nay _tenderly_ impassioned.
For a moment my heart stops beating. A cold dampness covers my
face. I _cannot_ move. I hardly dare to breathe. Oh, to whom are
these words addressed? _Whose_ voice will give her back an
answer?
Sir Mark speaks; and with a relief that through its intensity is
for the instant acutest pain, I stagger against the wall near me,
and stand motionless to recover calm.
"Can anything be more melancholy than 'old times?'" murmured Sir
Mark, lightly, without the faintest trace of tenderness in his
tone. "Believe me, we can have no real happiness in this life
until we have learned successfully how to forget."
I leave the window noiselessly, but as I go the words and their
meaning follow me. "Old times"--"past memories"--can it indeed be
that in the "long ago" lie love passages that were once fresh
between Lady Blanche and Sir Mark Gore?
Public-domain text, read in full here on John Shaqi.
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