On they come, by twos and threes, in single file, in shaking
groups, all equally important, all filled with a desire to
get--nowhere. A novice comes running, staggering, balancing
towards us; evidently her acquaintance with this new mode of
locomotion was of the vaguest half an hour ago. The crowd passes
on, and she must follow it; so, with a look of fear upon her face
that amounts almost to agony, she totters onward to brave a
thousand falls. A sudden rush past her--the faintest touch does
it--she reels: her heels (that on ordinary occasions, to judge by
their appearance, must be the staunchest of supports) refuse to
uphold her now; her lips part to emit a dying gasp, already she
smells the ground, when a kindly hand from behind seized her,
steadies her with good-natured force, and, with a smile of
acknowledgement, that confesses the misery of the foregoing
minutes, she once more totters, trips, and scrambles to her fate.
I am delighted, entranced. I find myself presently laughing gayly
and with all my heart, the galling remembrance of the last few
hours swept completely from my brain. I cry "Oh!" at every
casualty, and grasp my companion's arm; I admire and smile upon
the successful. I begin to wish that I too could skate.
Here comes the adept, with eyes fixed questioningly upon the
watchful crowd. Their approving glances fire him with a mad
desire to prove to them how superior he is to his compeers. He
will do _more_ than skate with consummate grace and ease; he will
do better than the "out-side edge;" he will _waltz_.
Oh, daring thought! Now shall he bring down the well-deserved
plaudits of the lookers-on. He turns--one, two, three--it is a
swing, a hop, not perhaps a ball-room performance, but at least a
success. Eyes become concentrated. He essays it again, and again
victory crowns his effort. Yet a third time he makes the
attempt--alas I that fatal three. Is it that his heel catches his
toe, or his toe catches his heel? The result at least is the
same: over he goes; disgrace is on him; with a crash he and the
asphalt meet.
"It is monotonous, I think," breathes Sir Mark in my ear, in a
deprecating tone, and then looks past me at Bebe.
"It is fatiguing," murmurs Harriet, with a yawn. "James, if you
don't get me a chair this instant, I shall faint."
"It is delicious," declare I, enthusiastically; "it is the nicest
thing I ever saw. Oh! I wish _I_ could skate."
"It makes one giddy," says Lady Blanche, affectedly "Do they
never turn in this place?" Almost on her words a bell tinkles
somewhere in the distance, and as if by magic they all swerve
round and move the contrary way--all, that is, except the tyros,
who come heavily, and without a moment's warning, to their knees.
And now the band strikes up, and the last waltz comes lingeringly
to our ears. Insensibly the musical portion of the community on
wheels falls into a gentle winging motion and undulate to the
liquid strains of the tender "Manolo."
Public-domain text, read in full here on John Shaqi.
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