“Where was I engaged? Surely I told you. Didn’t I say something about
the opera--‘Romeo and Juliet’?--that was to be the place, but I came to
you instead. Ah, what have we missed! Was there ever such a poem written
as ‘Romeo and Juliet’? Was there ever such music as Gounod’s? I
thought the first time that I went to the opera that it would spoil
Shakspere--how could it do otherwise? I asked. Could supreme perfection
be improved upon? Before the balcony scene had come to an end I found
that I had never before understood the glory of the poem. Ah, if you
could understand what love means, my Phyllis, you would appreciate the
poem and the music; the note of doom runs through it; that--that is
wherein its greatness lies--passion and doom--passion and doom--that is
my own life--the life of us women. We live in a whirlwind of passion,
and fancy that we can step out of the whirlwind into a calm at any
moment. We marry our husbands and we fancy that all the tragedy of human
passion is over so far as we are concerned. ‘The haven entered and the
tempest passed.’ Philip Marston’s terrible poem,--you have read it,--‘A
Christmas Vigil’? ‘The haven entered,’--the whirlwind of passion has
been left far away, we fancy. Oh, we are fools! It sweeps down upon us
and then--doom--doom!”
“My poor dear, you are talking wildly.”
“If you only understood--perhaps you will some day understand, and then
you will know what seems wild in my speech is but the incoherence of a
poor creature who has been beaten to the ground by the whirlwind, and
only saved from destruction by a miracle.”
She had sprung from her place on the sofa and was pacing the room, her
diamonds quivering, luminous as a shower of meteors--that was the fancy
that flashed from her to Phyllis. Meteors--meteors--what a splendid
picture she made flashing from place to place! Meteors--ah, surely there
was the meteor-bird flashing across the drawing room!
“Come and sit down, my dear Ella,” said Phyllis. “You are, as you know,
quite unintelligible to me.”
“Unintelligible to you? I am unintelligible to myself,” cried Ella. “Why
should I be tramping up and down your room when I might be at this very
moment----” She clutched Phyllis’ arm. “I want to stay with you all
night,” she whispered. “I want to sleep in your bed with you, Phyllis. I
want to feel your arms around me as I used to feel my mother’s long ago.
Whatever I may say, you will not let me go, Phyllis?”
“I will load you with chains,” said Phyllis, patting her lovely hair--it
was no longer smooth. “Why should you want to go away from me? Cannot we
be happy together once again as we used to be long ago?”
Public-domain text, read in full here on John Shaqi.
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