Piccadilly: A Fragment of Contemporary BiographyOliphant, Laurence
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Piccadilly: A Fragment of Contemporary Biography
Oliphant, Laurence
Piccadilly (London, England) -- Fiction
"Let him sacrifice us if He will," said he who had before spoken. "The
true man is but a cannon-shot, rejoicing most of all when the Divine
Artillerist shall send him irresistible and flaming against some foeman
of the race risen from Pandemonium. Man--the true man--is like the
Parthian's arrow, kindling into fiery flames as it leaves the bow.
Man--the true man--is the Spirit-sword, but the sword-arm is moved by
the heart of the Almighty."
Ah Piccadilly! hallowed recollections may attach to those stones worn by
the feet of the busy idiots in this vast asylum, for one sane man has
trodden them, and I listened to the words of wisdom as they dropped from
the lips of one so obscure that his name is still unknown in the land,
but I doubted not who at that moment was the greatest man in Piccadilly.
[Illustration]
CONCLUSION.
MORAL.
PICCADILLY, _July 15_.
It will be seen by the date at which I am writing this, that I have been
compelled to increase the pace I have been keeping up during the season.
The fact is, my episode, like those of my neighbours, seems likely to be
prematurely concluded by the course of political events, which will no
doubt act prejudicially this year upon the happiness of many interesting
members of society. Towards the close of the London season it is only
natural that everything should culminate; but generally the actors in
the scenes of real life so calculate that the curtain falls just at the
right moment; or rather, that they shall be doing just the right thing
when the curtain falls. The artists insensibly group themselves for the
_grand tableau_. All over the stage episodes are occurring, any one of
which taken separately would make a good sensation finale. There are
wily mothers and desperate daughters throwing with unerring aim their
nets over youths who have become reckless or imbecile. And there are
unprincipled poachers setting snares for the pretty game they hope to
destroy. Look at the poor victims, both male and female, trying to get
disentangled. What a rush, and shuffle, and conflict of feelings and
affections it is! The hearts that for the first time feel they have been
touched as the moment of separation draws near; the "histories" which in
all future time will form the most marked page in his or her life, and
which have begun and ended in the season; the intimacies that have been
formed, and which are to last for ever; those that have been broken; the
fatal friendships which have been cemented this year, and the disastrous
results of which, suspected on neither side, we shall read of in the
newspapers years to come. What a curious picture would be the mind of
London society if we could photograph it in February, and how strangely
different would it be from a photograph of the same subject taken in
July, more especially when, as now, the elections throw everything into
confusion; and little Haultort gets so bewildered, that he encloses, by
Public-domain text, read in full here on John Shaqi.
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