Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
Next day, the three friends met again beside Picciola; Girardi and the
Count occupying their bench, and Teresa a chair of state, placed opposite
them by the gallantry of Ludovico. She had brought with her some task of
woman’s work, some strip of delicate embroidery, over which her soft
countenance inclined, her graceful head following the movements of her
needle; and every now and then raising her eyes and suspending her work,
to interpose some playful remark in their grave dissertations. At length,
suddenly rising, she crossed over towards her father, threw her arms
round his neck, and pressed her lips repeatedly to his reverend locks.
The conversation between the two disputants was not renewed: for Charney
was already absorbed in profound meditation. He could not forbear
inquiring of himself whether he were beloved in return by Teresa—a
question which produced two conflicting sentiments in his bosom. He
feared to believe—he trembled to doubt. The flower—his gift—so carefully
preserved—the emotion evinced when their hands were accidentally united
on the knees of the old man—the tremor with which she had listened to the
recital of his impassioned dreams—all this was in his favour. But the
words breathed with so tender an inflexion of voice had been pronounced
in the presence of her father; what sense, therefore, dared he assign to
her tokens of compassion, her deeds of kindness and devotion? Had she not
afforded proofs of the same good-will before they had even met—before
even an interchange of looks and words had taken place between them? What
right has he to interpret in his favour the indications of feeling he has
since detected in her deportment?
No matter: of his own attachment, at least, he is certain. _He_ not
only loves Teresa, but has sworn within his heart of hearts to love her
through life and death; substituting for an ideal image, henceforward
superfluous, one of the most charming realities of human nature.
But the attachment of which he is thus conscious is a secret to be
preserved in the inmost archives of his soul: it would be a sin, a crime,
to invoke the participation of Teresa in his passion. What right has he
to imbitter the happy prospects of _her_ life? Are they not destined to
live apart from each other? _she_, free, happy, in the midst of a world
which she embellishes, and where she will doubtless soon confer happiness
on another in the bosom of domestic life; while _he_, in his solitary
prison, must consecrate himself to eternal solitude and eternal regrets
for his momentary happiness.
No! his passion shall be sedulously concealed. He will assume towards
Teresa Girardi the demeanour of a person wholly indifferent, or satisfy
himself with the calm demonstrations of a prudent and equable friendship.
It would be too deep a misfortune for _him_—for _both_—were he to succeed
in engaging her affections.
Public-domain text, read in full here on John Shaqi.
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