Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
Charney perceived the old man clasping the iron window-bars in his
trembling hands, but dared not meet his eyes and hazard an appeal to the
forgiveness of the only human being of whose esteem he was ambitious.
The Count dreaded to find that venerable countenance distorted by the
expression of reproach or contempt; and when at length their glances met,
he was touched to the soul by the look of tender compassion cast upon him
by the unhappy father—forgetful of his own sorrows in beholding those of
his companion in misfortune. The only tears that had ever fallen from
the eyes of the Count de Charney started at that trying moment! But,
consolatory as they were, he dried them hurriedly as they fell, in the
dread of exposing his weakness to the contempt and misapprehension of the
men by whom he was surrounded.
[Illustration]
Among the spectators of this singular scene, the two sbirri alone
remained indifferent to what was passing—staring vacantly at the
prisoner, the old man, the commandant, and the jailer; wondering what
reference their emotions might bear to the supposed conspiracy, and
nothing doubting that the mysterious plant, about to be dislodged, would
prove to have been a cover to some momentous hiding-place.
Meanwhile, the fatal operations proceeded. Under the orders of the
commandant, Ludovico was attempting to take up the rustic bench, which at
first seemed to resist his feeble efforts.
“A mallet—take a mallet!” cried Captain Morand.
Ludovico obeyed; but the mallet fell from his hands.
“Death and the devil! how much longer am I to be kept waiting?” now
vociferated the captain; and the jailer immediately let fall a blow,
under which the bench gave way in a moment. Mechanically, Ludovico bent
down towards his god-daughter, which was now alone and undefended in the
court; while the Count stood ghastly and overpowered, big drops of agony
rising upon his brow.
“Why destroy it, sir? why destroy it? You must perceive that the plant is
about to die!” he faltered, descending once more to the abject position
of a suppliant. But the captain replied only by a glance of ironical
compassion. It was now his turn to remain silent!
[Illustration]
“Nay, then,” cried Charney, in a sort of frenzy, “since it must needs be
sacrificed, it shall die by no hand but mine!”
“I forbid you to touch it!” exclaimed the commandant; and, extending his
cane before Charney, as if to create a barrier between the prisoner and
his idol, he renewed his orders to Ludovico, who, seizing the stem, was
about to uproot it from the earth.
The Count, startled into submission, stood like an image of despair.
Public-domain text, read in full here on John Shaqi.
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