Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
This is an important division of the purposes for which pictographs
are used. The pictographs and the objective devices antecedent to
pictographs under this head that have come immediately to the writer’s
attention, may be grouped as follows: 1st. Notice of departure,
direction, etc. 2d. Notice of condition, suffering, etc. 3d. Warning
and guidance. 4th. Charts of geographic features. 5th. Claim or demand.
6th. Messages or communications. 7th. Record of expedition.
NOTICE OF DEPARTURE AND DIRECTION.
[Illustration: FIG. 47.--Alaskan notice of hunt.]
Dr. W. J. Hoffman obtained the original of the accompanying drawing,
Fig. 47, from Naumoff an Alaskan native, in San Francisco, California,
in 1882, also the interpretation, with text in the Kiatexamut dialect
of the Innuit language.
The drawing was in imitation of similar ones made by the natives, to
inform their visitors or friends of their departure for a certain
purpose. They are depicted upon strips of wood which are placed in
conspicuous places near the doors of the habitations.
Dr. Hoffman has published a brief account of this drawing as well as
the succeeding one, in the Trans. Anthrop. Soc. Washington, II, 1883,
p. 134, Fig. 3, and p. 132, Fig 2.
The spelling adopted in the Innuit text, following in each case the
explanation of characters, is in accordance with the system now used by
the Bureau of Ethnology.
The following is the explanation of the characters:
1. The speaker, with the right hand indicating himself, and with the
left pointing in the direction to be taken.
2. Holding a boat paddle--going by boat.
3. The right hand to the side of the head, to denote _sleep_, and the
left elevated with one finger elevated to signify _one_--one night.
4. A circle with two marks in the middle, signifying an island with
huts upon it.
5. Same as No. 1.
6. A circle to denote another island.
7. Same as No. 3, with an additional finger elevated, signifying
_two_--two nights.
8. The speaker with his harpoon, making the sign of a sea lion with the
left hand. The flat hand is held edgewise with the thumb elevated, then
pushed outward from the body in a slightly downward curve.
9. A sea lion.
10. Shooting with bow and arrow.
11. The boat with two persons in it, the paddles projecting downward.
12. The winter, or permanent habitation of the speaker.
The following is the text in the Aigaluxamut dialect, with an
interlinear translation:
Hui ta-wá-ut ai-wí-xa-na kui-gí-qta-mŭn a-xi-lú-mŭk ka-wá-xa-lú-a,
I there go (with boat) that island one sleep there,
(to that place)
tca-lí hui ai-wí-lu-a a-xá-mŭn kui-gí-qta-mŭn, ta-wá-ni ma-lú-qnŭk
then I go another that island, there two
(indicated)
ka-wá-xa-lú-a, hui pĭ-qlú-a a-xĭ-lú-mŭk’ wi-na-mŭk tca-lí a-ni-xlú-a
sleeps I catch one sea lion then return
(nights)
nú-nan m’nun.
(to) place mine.
Public-domain text, read in full here on John Shaqi.
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