Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
MESSAGES AND COMMUNICATIONS.
[Illustration: FIG. 61.--Letter to Little-Man from his father.
Cheyenne.]
Figure 61 is a letter sent by mail from a Southern Cheyenne, named
Turtle-following-his-Wife, at the Cheyenne and Arapaho Agency, Indian
Territory, to his son, Little-Man, at the Pine Ridge Agency, Dakota
Territory. It was drawn on a half-sheet of ordinary writing paper,
without a word written. It was inclosed in an envelope, which was
addressed to “Little-Man, Cheyenne, Pine Ridge Agency,” in the ordinary
manner, written by some one at the first-named agency. The letter
was evidently understood by Little-Man, as he immediately called
upon Dr. V. T. McGillycuddy, Indian agent at Pine Ridge Agency, and
was aware that the sum of $53 had been placed to his credit for the
purpose of enabling him to pay his expenses in going the long journey
to his father’s home in Indian Territory. Dr. McGillycuddy had, by
the same mail, received a letter from Agent Dyer, inclosing $53, and
explaining the reason for its being sent, which enabled him also to
understand the pictographic letter. With the above explanation it very
clearly shows, over the head of the figure to the left, the turtle
following the turtle’s wife united with the head of the figure by a
line, and over the head of the other figure, also united by a line to
it, is a little man. Also over the right arm of the last-mentioned
figure is another little man in the act of springing or advancing
toward Turtle-following-his-Wife, from whose mouth proceed two lines,
curved or hooked at the end, as if drawing the little figure towards
him. It is suggested that the last-mentioned part of the pictograph
is the substance of the communication, _i. e._, “come to me,” the
larger figures with their name totems being the persons addressed and
addressing. Between and above the two large figures are fifty-three
round objects intended for dollars. Both the Indian figures have on
breech-cloths, corresponding with the information given concerning
them, which is that they are Cheyennes who are not all civilized or
educated.
The illustration, Figure 62, was made by a native Alaskan, and
represents a native of the Teninahs making a smoke signal to the people
of the village on the opposite shore of a lake, so that a boat may be
sent to carry the signalist across. The K’niqamūt band of the Tenina
have no boats, as they live inland, and therefore resort to signaling
with smoke when desiring transportation. On account of this custom they
are termed “Signal People.” If the pictograph could be transmitted in
advance of the necessity, the actual use of the smoke signal, with
consequent delay in obtaining the boat, would be avoided.
[Illustration: FIG. 62.--Drawing of smoke signal. Alaska.]
1. Represents the mountain contour of the country.
2. A Tenina Indian.
3. Column of smoke.
4. Bird’s-eye view of the lake.
5. The settlement on opposite shore of lake.
6. Boat crossing for the signalist.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account