Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
No. 9. The character is represented with two waving lines passing
upward from the mouth, in imitation of the gesture-sign _good talk_,
_spiritual talk_, as made by passing two extended and separated fingers
(or all fingers separated) upward and forward from the mouth. This
gesture is made when referring either to a shaman or to a christian
clergyman, or to a house of worship, and the name seems to have been
translated here as “good,” without sufficient emphasis, being probably
more with the idea of “mystic.”
No. 15. The gesture for _come_ or _to call to one’s self_ is shown in
this figure.
No. 24. The semicircle for cloud is the reverse in conception to that
shown above in No. 2.
No. 26. Arapaho, in Dakota, magpiyato--_blue cloud_--is here shown by
a circular cloud, drawn in blue in the original, inclosing the head of
a man.
No. 38. Night appears to be indicated by the black circle around the
head, suggested by the _covering over with darkness_, as shown in the
gesture for night by passing both flat hands from their respective
sides inwards and downwards before the body. The sign for _kill_ is
denoted here by the bow in contact with the head, a custom in practice
among the Dakota of striking the dead enemy with the bow or _coup_
stick. See also Figure 130, page 211.
No. 43. Night is here shown by the curve for _sky_, and the suspension,
beneath it, of a star, or more properly in Dakota signification, a
_night sun_--the moon.
No. 59. Cloud is drawn in blue in the original; _old_ is signified by
drawing a staff in the hand of the man. The gesture for old is made in
imitation of walking with a staff.
No. 69. This drawing is similar to No. 38. The differentiation is
sufficient to allow of a distinction between the two characters, each
representing the same name, though two different men.
No. 131. The uppermost character is said to be drawn in imitation of a
number of fallen leaves lying against one another, and has reference to
the season when leaves fall--autumn.
No. 161. The thunder-bird is here drawn with five
lines--voices--issuing from the mouth.
No. 201. The waving lines above the head signify _sacred_, and are made
in gesture in a similar manner as that for _prayer_ and _voice_ in No.
9.
No. 236. This person is also portrayed in a recent Dakota record, where
the character is represented by the “woman seated” only. The name of
this man is not “Sits-like-a-Woman,” but High-Wolf--Shúnka mánita
wa^ngátia. This is an instance of giving one name in a pictograph and
retaining another by which the man is known in camp to his companions.
No. 250. The word medicine is in the Indian sense, before explained,
and would be more correctly expressed by the word _sacred_, or
_mystic_, as is also indicated by the waving lines issuing from the
mouth.
No. 289. The character for _sacred_ again appears, attached to the end
of the line issuing from the mouth.
PROPERTY MARKS.
Public-domain text, read in full here on John Shaqi.
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