“Beside my tent, at Tahuahu, on the right bank of the Mangapu, there stood an odd half decomposed figure carved of wood; it was designated to me by the natives as a Tiki, marking the tomb of a chief.” The same author states, page 423: “The dwellings of the chiefs at Ohinemutu are surrounded with inclosures of pole-fences; and the Whares and Wharepunis, some of them exhibiting very fine specimens of the Maori order of architecture, are ornamented with grotesque wood-carvings. The annexed wood-cut [here reproduced as Figure 118] is intended as an illustration of some of them. The gable figure, with the lizard having six feet and two heads, is very remarkable. The human figures are not idols, but are intended to represent departed sires of the present generation.” [Illustration: FIG. 118.--New Zealand house posts.] CHARMS AND FETICHES. The use of objects as charms and fetiches is well known. Their graphic representation is not so well understood, although in the attempted interpretation of pictographs it is to be supposed that objects of this character would be pictorially represented. The following is an instance where the use in action of a charm or fetich was certainly portrayed in a pictograph. Figure 119, drawn by the Dakota Indians near Fort Snelling, Minnesota, exhibits the use for a fetichistic purpose of an instrument which is usually included among war clubs, though this particular object is more adapted to defense than to offense. [Illustration: FIG. 119.--Mdewakantawan Fetich.] The head of the fetich is a grooved stone hammer of moderate size, measuring from an inch and a half to as much as 5 inches in length. A withe is tied about the middle of the hammer in the groove provided for the purpose, having a handle of from 2 to 4 feet in length. The latter is frequently wrapped with buckskin or raw-hide to strengthen it, as well as for ornamental purposes. Feathers attached bear mnemonic marks or designs, indicating marks of distinction, perhaps fetichistic devices not understood. These objects are believed to possess the peculiar charm of warding off an enemy’s missiles when held upright before the body. In the pictograph made by the Dakota Indian, the manner of holding it, as well as the act of shooting an arrow by an enemy, is shown with considerable clearness. The interpretation was explained by the draftsman himself. Properties are attributed to this instrument similar to those of the small bags prepared by the Shaman, which are carried suspended from the neck by means of string or buckskin cords. Subject-matter connected with this heading appears in several parts of this paper, _e. g._, Figure 46, on page 141, and the characters for 1824-’25 on plate XLII. CUSTOMS.