Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
When in haste, or when the necessary materials are not at hand, the
Hidatsa sometimes prepare notices by drawing upon a piece of wood or
the shoulder blade of a buffalo with a piece of charcoal obtained
from the fire, or with a piece of red chalk, with which nearly every
warrior is at all times supplied.
INSTRUMENTS FOR PAINTING.
Painting upon robes or skins is accomplished by means of thin strips
of wood, or sometimes of bone. Tufts of antelope hair are also used,
by tying them to sticks to make a brush. This is evidently a modern
innovation. Pieces of wood, one end of each chewed so as to produce a
loose fibrous brush, are also used at times, as has been observed among
the Titon Dakota.
The Hidatsa, Arikara, and other Northwest Indians usually employ a
piece of buffalo rib, or a piece of hard wood, having somewhat of an
elliptical or lozenge-shaped form. This is dipped in thin glue and a
tracing is made, which is subsequently treated in a similar manner with
a solution, of glue, water, and color.
INSTRUMENTS FOR TATTOOING.
The Hidatsa say that formerly, when tattooing was practiced, sharp
pieces of bone were used for pricking the skin.
The tribes of Oregon, Washington, and northern California used sharp
pieces of bone, thorns, and the dorsal spines of fish, though at
present needles are employed, as they are more effective and less
painful, and are readily procured by purchase.
Needles are used by the Klamath Indians, according to Mr. Gatschet.
Rev. M. Eells reports (Bull. U. S. Geol. and Geog. Survey II, p.
75) that for tattooing the Twana Indians use a needle and thread,
blackening the thread with charcoal and drawing it under the skin as
deeply as they can bear it.
Stephen Powers says (Contrib. to N. A. Ethnol. III., p. 130) that
tattooing among the Yuki is done with pitch-pine soot, and a
sharp-pointed bone. After the designs have been traced on the skin the
soot is rubbed in dry.
Paul Marcoy mentions in his Travels in South America, N. Y., 1875, Vol.
II, 353, that the Passés, Yuris, Barrés and Chumanas, of Brazil, use a
needle for tattooing.
The following quotation is from Te Ika a Maui, or New Zealand and its
Inhabitants, by Rev. Richard Taylor, London, 1870, pp. 320, 321:
The substance generally used as coloring matter is the resin of the
_kauri_ or _rimu_, which, when burnt, is pounded and converted into
a fine powder.
Public-domain text, read in full here on John Shaqi.
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