Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
All the gentes on the Tsi[c]u side use the “fire paint” or i[k]ama^n,
which is red. It is applied by them with the left hand all over the
face. And they use prayers about the fire: “As the fire has no mercy,
so should we have none.” Then they put mud on the cheek below the left
eye, as wide as two or more fingers. On the Hañ[k]a side this mud is
put on the cheek, below the right eye. It is the young buffalo bull
decoration (Tse-[t]ú-[c]iñ´[k]a kínŭ^n itáa[p]i aú). With reference to
it, a man says, “My little grandfather (the young buffalo bull) is ever
dangerous, as he makes attempts. Very close do I stand, ready to go to
the attack” (Witsí[k]u [c]iñ´[k]a wáckŭ^n nŭ^n´pewá¢ĕ ehnu^n[p]i aú.
Ecŭ^nqtsita wa[k]a^n´¢a [p]¢é atqa^n´hi aú!) The horse is painted with
some of the mud on the left cheek, shoulder, and thigh.
For the corresponding Hanka decorations, substitute _the right_ for
_the left_ wherever the latter word occurs above.
Some who act like a black bear paint with charcoal alone.
Some paint in the wind style, some in the lightning style, and others
in the panther or puma style.
See also pages 85 and 162.
When a Thlinkit arms himself for war he paints his face and powders
his hair a brilliant red. He then ornaments his head with white
eagle-feathers, a token of stern vindictive determination. See
Bancroft, Native Races, etc., I, page 105.
Blue signifies peace among the Indians of the Pueblo of Tesuque. See
Schoolcraft, III, 306.
In several addresses before the Anthropological Society of Washington,
D. C., and papers yet unpublished, in the possession of the Bureau of
Ethnology, by Mr. James Stevenson, Dr. Washington Matthews, U. S. Army,
and Mr. Thomas V. Keam, the tribes below are mentioned as using in
their ceremonial dances the respective colors designated to represent
the four cardinal points of the compass, viz.:
N. S. E. W.
Stevenson--Zuñi Yellow. Red. White. Black.
Matthews--Navajo Black. Blue. White. Yellow.
Keam--Moki White. Red. Yellow. Blue.
Capt. John G. Bourke, U. S. Army, in the Snake Dance of the Moquis of
Arizona, etc., New York, 1884, p. 120, says that the Moki employ the
following colors: yellow in prayers for pumpkins, green for corn, and
red for peaches. Black and white bands are typical of rain, while red
and blue bands are typical of lightning.
The Central Californians (north of San Francisco Bay) formerly wore the
down of Asclepias(?) (white) as an emblem of royalty. See Bancroft,
Native Races, I, 387, 388, quoting Drake’s World Encomp. pp. 124-126.
The natives of Guatemala wore red feathers in their hats, the nobles
only wearing green ones. _Ibid_, p. 691.
See with reference to the Haidas, Mr. J. G. Swan’s account, page 66,
_infra_.
The following extract relative to the color red among the New
Zealanders is from Taylor’s Te Ika a Maui, etc., pp. 209-210.
Public-domain text, read in full here on John Shaqi.
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