Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
According to the notes accompanying the rude drawings of this stone,
it is an oblong rectangle, measuring 11-3/4 inches long, 7-1/4 inches
wide, and 1-1/2 inches thick. On one side there is an interior space,
also an oblong rectangle measuring about three-fourths of the size of
the whole tablet, between which and the outer margin are six nude human
figures resembling one another, one at either end and two on each of
the two sides. The interior space may have contained characters, though
no traces are now visible.
On the other side are drawings of the sun, clouds with rain descending
therefrom, lightning, stars, arrows, foot-prints of the bear, and
several other undeterminable characters.
No history of the origin and import of this tablet has been obtained.
Other materials may be mentioned as follows:
BONE.
For instances of the use of bone, refer to several Alaska ivory
carvings in this paper, _e. g._, Figure 111, page 192; Comanche buffalo
shoulder blade, Figure 137, page 216; Hidatsa shoulder blade, page 151;
New Zealand human bone, Figure 34, page 74.
THE LIVING TREE.
An example is to be found in Schoolcraft, IV, p. 253; Pl. 33, Fig. A,
where it is stated that Mr. Richard H. Kern furnished a copy of an
Indian drawing, which was “found on the trunk of a cottonwood tree in
the valley of King’s River, California, and evidently represents the
manner of catching different wild animals with the lasso.”
The use of the lasso, and the characters being upon the bark of a
living tree, show sufficient reason to believe that this record was of
modern workmanship.
WOOD.
The Indians of the Northwest Coast generally employ wood upon which to
depict objects of various kinds. These appear to partake of a mythical
nature, sometimes becoming absurdly grotesque. Totem posts (Plate
LXXXIII, page 199), boats, boat paddles, the boards constituting the
front wall of a house, and masks are among the objects used upon which
to display artistic skill.
Ottawa drawings are also found upon pipe-stems made of wood, usually
ash. Figure 120, page 204, is an example of this.
Among the Arikara boat paddles are used upon which marks of personal
distinction are reproduced, as shown in Figure 80, page 182.
Wooden dancing ornaments, such as fanciful representations of the human
figure, idols, etc., are generally ornamented with a variety of colors,
having them sometimes arranged to represent designs closely related to,
if not actually signifying, marks of gentile distinction.
Public-domain text, read in full here on John Shaqi.
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