When the Haidas visit Victoria or the towns on Puget Sound they are dressed in the garb of white people and present a respectable appearance, in marked contrast with the Indians from the west coast of Vancouver’s Island, or the vicinity of Cape Flattery, who dress in a more primitive manner, and attract notice by their more picturesque costumes than do the Haidas, about whom there is nothing outwardly of unusual appearance, except the tattoo marks on the hands of the women, which show their nationality at a glance of the most careless observer. As I before remarked, almost all of the Indian women of the northwest coast have tattoo marks on their hands and arms, and some on the face; but as a general thing these marks are mere dots or straight lines, having no particular significance. With the Haidas, however, every mark has its meaning; those on the hands and arms of the women indicate the family name, whether they belong to the bear, beaver, wolf, or eagle totems, or any of the family of fishes. As one of them quaintly remarked to me, “If you were tattooed with the design of a swan, the Indians would know your family name.” Although it is very easy to distinguish the Haida women from those of other tribes by seeing the tattoo marks on the backs of their hands, yet very few white persons have cared to know the meaning of these designs, or are aware of the extent of the tattoo marks on the persons of both sexes. In order to illustrate this tattooing as correctly as possible, I inclose herewith a view (Figure 24) taken at Massett, Queen Charlotte Island, of the carved columns in front of the chief’s residence; and also sketches of the tattoo marks on two women and their husbands taken by me at Port Townsend. [Illustration: FIG. 24.--Haida Totem Post.] It should be borne in mind that during their festivals and masquerade performances the men are entirely naked and the women have only a short skirt reaching from the waist to the knee; the rest of their persons are exposed, and it is at such times that the tattoo marks show with the best effect, and the rank and family connection known by the variety of designs. Like all the other coast tribes, the Haidas are careful not to permit the intrusion of white persons or strangers to their Tomanawos ceremonies, and as a consequence but few white people, and certainly none of those who have ever written about those Indians, have been present at their opening ceremonies when the tattoo marks are shown. My information was derived from the Haidas themselves, who explained to me while I was making the drawings, and illustrated some of the positions assumed in their dances by both sexes. Fig. 25 represents a man. On his breast is the cod (kahatta) split from the head to the tail and laid open; on each thigh is the octopus (noo), and below each knee is the frog (flkamkostan). [Illustration: FIG. 25.--Haida man, tattooed. FIG. 26.--Haida woman, tattooed.]