Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
He told me the plan he adopted was first to draw the design carefully
on the person with some dark pigment, then prick it in with needles and
then rub over the wound with some more coloring matter till it acquired
the proper hue. He had a variety of instruments composed of needles
tied neatly to sticks. His favorite one was a flat strip of ivory or
bone, to which he had firmly tied five or six needles, with their
points projecting beyond the end just far enough to raise the skin
without inflicting a dangerous wound, but these needle points stuck out
quite sufficiently to make the operation very painful, and although he
applied some substance to deaden the sensation of the skin, yet the
effect was on some to make them quite sick for a few days; consequently
the whole process of tattooing was not done at one time. As this
tattooing is a mark of honor, it is generally done at or just prior to
a Tomanawos performance and at the time of raising the heraldic columns
in front of the chief’s houses. The tattooing is done in open lodge and
is witnessed by the company assembled. Sometimes it takes several years
before all the tattooing is done, but when completed and the person
well ornamented, then they are happy and can take their seats among the
elders.
It is an interesting question, and one worthy of careful and patient
investigation, Why is it that the Haida Nation alone of all the coast
tribes tattoo their persons to such an extent, and how they acquire the
art of carving columns which bear such striking similarity to carving
in wood and stone by the ancient inhabitants of Central America, as
shown by drawings in Bancroft’s fourth volume of Native Races and in
Habel’s investigation in Central and South America?
Some of these idols in design, particularly on pages 40 to 58, and
notably on pages 49-50 (Bancroft, _op. cit._), are very like some small
carvings I have in Port Townsend which I received from Alaska, showing
a similarity of idea which could not be the result of an accident.
The tattoo marks, the carvings, and heraldic designs of the Haida are
an exceedingly interesting study, and I hope what I have thus hastily
and imperfectly written may be the means of awakening an interest to
have those questions scientifically discussed, for they seem to me to
point to a key which may unlock the mystery which for so many ages has
kept us from the knowledge of the origin of the Pacific tribes.
* * * * *
TATTOOING IN THE PACIFIC ISLANDS.
The following quotations and illustrations of tattooing in the islands
of the Pacific Ocean are presented for comparison, and in hopes that
the discussion of the subject may afford further information upon the
significance of tattoo marks. It is by no means probable that they were
originally altogether or chiefly for ornamentation.
Public-domain text, read in full here on John Shaqi.
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